Brandenburg Concerto, No. 6 Cover Image

Brandenburg Concerto, No. 6: String Orchestra Conductor Score

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Brandenburg Concerto, No. 6 Cover Image

Brandenburg Concerto, No. 6: String Orchestra Conductor Score

(Third Movement -- Abridged)

By Johann Sebastian Bach / arr. Vernon Leidig

Grade: 4

Item: 00-5617S

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Description
Vernon Leidig has skillfully adapted the third movement of Brandenburg Concerto No. 6 for complete string orchestra (originally with two solo viola parts, gamba parts, etc). Although solo parts are now given to the violins, advanced violists can play off the Violin parts.hand the joyous rhythmic drive of this Concerto. A must for advanced intermediate string players.

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 16
UPC: 038081096995
SKU: 00-5617S

More about this title

About the Composer: Johann Sebastian Bach

Johann Sebastian Bach (1685-1750) stands as one of music history's most influential composers, whose mastery of counterpoint and harmonic language shaped centuries of musical thought. His Brandenburg Concertos represent a pinnacle of Baroque instrumental writing, each one demonstrating his genius for combining multiple instrumental voices into intricate, yet singable, musical conversations.

Why we love this

Vernon Leidig's adaptation preserves the architectural brilliance of Bach's original while making this masterwork accessible to a complete string section. The rhythmic vitality of the third movement carries students through challenging polyphonic writing without requiring the specialized instrumentation of the original scoring, and the optional violin doubling of viola parts offers flexible casting for ensembles of varying sizes.

What to expect

Elegant and energetic, this movement carries the rhythmic momentum of a Baroque dance infused with the learned counterpoint Bach is famous for. The texture shimmers with independent lines moving in graceful conversation, creating a sense of courtly refinement alongside genuine musical joy.

Who it's for

Advanced intermediate string orchestras seeking substantial Baroque repertoire that challenges players without requiring rare or specialized instruments. This work rewards ensembles with strong intonation and the maturity to handle polyphonic texture, making it ideal for advanced high school orchestras or pre-college programs.

How to get the most out of it

  • Balance the countermelodies carefully. The original work featured multiple solo voices; mark which instruments carry the primary line in each phrase so players understand their role in the contrapuntal fabric.
  • Emphasize the dance-like rhythmic precision that defines this movement. Bach's original context was courtly entertainment, and that joyful propulsion should be evident in your ensemble's execution.
  • Allow advanced violists to explore the solo viola material if your section is strong enough. This both honors Bach's original intent and provides meaningful solo experiences for strong players.
  • Shape the phrases with subtle dynamic inflection rather than dramatic swells. Baroque style benefits from clarity and articulation that reveals the inner voices, not from romantic period interpretation.

How to use it

Program this as a centerpiece for a Baroque concert or as an opener for a more general string orchestra concert where you want to establish musical sophistication early. Pair it with other Bach arrangements or with Baroque works for strings to build a program that showcases the era's clarity and structural integrity.

Skills your students will build

  • Reading and balancing independent melodic lines within a polyphonic texture
  • Maintaining steady rhythmic drive while negotiating Baroque articulation and phrasing
  • Understanding optional scoring and flexible instrumentation in arrangement
  • Developing intonation precision within fast-moving harmonic progressions
  • Interpreting Baroque style through careful voice leading and textural clarity

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