Born to Be Somebody: Piano Accompaniment Sheet Music Preview

Born to Be Somebody: Piano Accompaniment

As performed by Justin Bieber

Words and music by Diane Warren / arr. Patrick Roszell

Grade: 3

Item: 00-PC-0015013_K

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Description
Teen pop sensation Justin Bieber delivers a stunning version of this popular tune. From the album Never Say Never -- The Remixes, which hit #1 on the Billboard 200, and the movie of the same name, all sections get great parts in this perfectly set arrangement.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Born to Be Somebody: Piano Accompaniment comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 78
SKU: 00-PC-0015013_K

More about this title

About the Composer: Diane Warren

Diane Warren is one of the most prolific songwriters in contemporary music, with a catalog spanning film, television, and pop records. Her ability to craft emotionally direct melodies paired with lyrics that resonate across generations has made her a go-to composer for major motion pictures and recording artists seeking songs with commercial appeal and genuine heart.

Why we love this

This arrangement captures the infectious energy of Bieber's recording while distributing engaging material across all string sections. Directors benefit from a piece that connects with student musicians through contemporary repertoire without sacrificing musical substance or the orchestral color that string players love to produce.

What to expect

Buoyant and rhythmically charged, the arrangement channels pop production values into orchestral textures. The piece maintains forward momentum while allowing string players moments to shine individually and collectively, creating the satisfying blend of accessibility and musicianship that defines effective pop orchestrations.

Who it's for

String orchestras at the Grade 3 level seeking contemporary material that engages ensemble members through recognizable, modern music. This works equally well for groups building confidence in pop idioms or preparing concert programs that bridge classical and popular repertoire.

How to get the most out of it

  • Maintain clarity in the rhythm section by having your violas and cellos establish a steady harmonic foundation; this grounds the melody lines that the violins carry above.
  • Balance pop sensibility with orchestral refinement by avoiding overly detached articulation. The piece thrives when strings use natural legato phrasing rather than marcato throughout.
  • Lean into dynamic contrast to create lift in the melody passages. Students often play pop arrangements uniformly; drawing out the peaks makes the arrangement feel more alive.

How to use it

Program this alongside more traditional concert fare to demonstrate the range of string orchestras or to energize a concert's second half. It pairs naturally with other contemporary pop arrangements or as an appealing finale that leaves audiences engaged and happy.

Skills your students will build

  • Playing with rhythmic precision in pop-influenced harmonic progressions
  • Balancing ensemble sound across distributed melodic and harmonic roles
  • Maintaining stylistically appropriate articulation and phrasing in contemporary music
  • Reading and performing from a full score arrangement with multiple string parts

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