Born to Be Somebody: String Orchestra Conductor Score & Parts
As performed by Justin Bieber
Words and music by Diane Warren / arr. Patrick Roszell
Grade: 3
Item: 00-PK-0004725
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Born to Be Somebody: Score | $9.00 | |
| Born to Be Somebody: 1st Violin | $5.99 | |
| Born to Be Somebody: 2nd Violin | $5.99 | |
| Born to Be Somebody: 3rd Violin (Viola [TC]) | $5.99 | |
| Born to Be Somebody: Viola | $5.99 | |
| Born to Be Somebody: Cello | $5.99 | |
| Born to Be Somebody: String Bass | $5.99 | |
| Born to Be Somebody: Piano Accompaniment | $5.99 | |
| Born to Be Somebody: Drums | $5.99 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Born to Be Somebody: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Diane Warren
Diane Warren is one of the most prolific songwriters in contemporary music, with a catalog spanning film, television, and pop records. Her ability to craft emotionally direct melodies paired with lyrics that resonate across generations has made her a go-to composer for major motion pictures and recording artists seeking songs with commercial appeal and genuine heart.
Why we love this
This arrangement captures the infectious energy of Bieber's recording while distributing engaging material across all string sections. Directors benefit from a piece that connects with student musicians through contemporary repertoire without sacrificing musical substance or the orchestral color that string players love to produce.
What to expect
Buoyant and rhythmically charged, the arrangement channels pop production values into orchestral textures. The piece maintains forward momentum while allowing string players moments to shine individually and collectively, creating the satisfying blend of accessibility and musicianship that defines effective pop orchestrations.
Who it's for
String orchestras at the Grade 3 level seeking contemporary material that engages ensemble members through recognizable, modern music. This works equally well for groups building confidence in pop idioms or preparing concert programs that bridge classical and popular repertoire.
How to get the most out of it
- Maintain clarity in the rhythm section by having your violas and cellos establish a steady harmonic foundation; this grounds the melody lines that the violins carry above.
- Balance pop sensibility with orchestral refinement by avoiding overly detached articulation. The piece thrives when strings use natural legato phrasing rather than marcato throughout.
- Lean into dynamic contrast to create lift in the melody passages. Students often play pop arrangements uniformly; drawing out the peaks makes the arrangement feel more alive.
How to use it
Program this alongside more traditional concert fare to demonstrate the range of string orchestras or to energize a concert's second half. It pairs naturally with other contemporary pop arrangements or as an appealing finale that leaves audiences engaged and happy.
Skills your students will build
- Playing with rhythmic precision in pop-influenced harmonic progressions
- Balancing ensemble sound across distributed melodic and harmonic roles
- Maintaining stylistically appropriate articulation and phrasing in contemporary music
- Reading and performing from a full score arrangement with multiple string parts