Born in Bethlehem (Four Christmas Spirituals): Choral SoundPax
Four Christmas Spirituals
Arr. Jay Althouse
Item: 00-PK-0000766
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Born in Bethlehem (Four Christmas Spirituals): Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Arranger: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His career spans both the publishing industry, where he spent eight years managing rights and licenses and served on the Executive Board of the Music Publishers Association of America, and composition, with over 800 choral works currently in print across all levels.
As a prolific composer and arranger, Althouse has established himself as a trusted voice in American choral music. He is a writer member of ASCAP and a regular recipient of the ASCAP Special Award. Beyond his original compositions, he has collaborated with his wife Sally K. Albrecht on children's musicals and compilations including Folk Songs for Solo Singers. His pedagogical contributions include co-authoring The Complete Choral Warm-up Book and Accent on Composers, along with several reproducible classroom resources. He serves on the National Advisory Board of the Folk Art Society of America and resides in Wake Forest, North Carolina.
Why we love this
Althouse's arrangement brings accessibility and warmth to four spiritual standards without sacrificing authenticity. The inclusion of a full instrumental section (alto sax, tenor sax, trumpet, trombone, rhythm) gives choirs options for concert settings ranging from intimate to fully orchestrated, while the recorded accompaniment means you can rehearse effectively whether the band is present or not.
What to expect
Rooted in American spiritual tradition, these arrangements pulse with genuine emotion and gentle swing. The blend of voices with jazz-influenced accompaniment creates warmth and depth, honoring the songs' sacred origins while keeping the sound fresh and engaged.
Who it's for
Choirs of mixed ability preparing Christmas concerts or holiday services. The arrangement works equally well for church choirs, school ensembles, and community groups who want authentic spiritual material with flexible instrumentation.
How to get the most out of it
- Balance the choir against the sax and trumpet parts; these voices should enhance rather than overshadow the singers. Use the recorded accompaniment in early rehearsals to establish clear voicing before adding instruments.
- Pay attention to the spiritual idiom and swing feel in the rhythm section. A slightly laid-back approach to the beat honors the genre's character.
- Tap into the emotional content of each spiritual individually. Four pieces strung together can blur together if you treat them as a medley rather than four distinct statements.
- Mark your sectionals strategically around instrumental interludes, so singers have clarity on when they enter against the accompaniment pattern.
How to use it
Program these pieces as a spiritual set within your Christmas concert, or weave individual spirituals throughout a longer service. The flexibility to perform with or without the full band makes this useful late in your rehearsal season when scheduling conflicts might otherwise force you to cut instrumental numbers.
Skills your students will build
- Singing jazz-influenced articulation and swing rhythms in a choral context
- Balancing voices with jazz-style instrumental accompaniment
- Interpreting spirituals with historical awareness and emotional authenticity
- Secure part-singing against syncopated rhythm section patterns