Born in Bethlehem Cover Image

Born in Bethlehem: SAB Choral Octavo

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Born in Bethlehem Cover Image

Born in Bethlehem: SAB Choral Octavo

Four Christmas Spirituals

Arr. Jay Althouse

Item: 00-23979

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Description
A choral medley of four favorite Christmas spirituals: "Mary Had a Baby," "Rise Up Shepherd and Follow," "What You Gonna Call Your Pretty Little Baby?," and "Go, Tell It on the Mountain." Easy part-writing and familiar melodies make it a quick-learn piece, important during the holiday season.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Born in Bethlehem: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081260884
SKU: 00-23979

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse studied music education and music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. He spent eight years in music publishing administration, including a term on the Executive Board of the Music Publishers Association of America, before focusing full-time on composition and arrangement.

Althouse has over 800 choral works in print and has established himself as a major voice in choral education. He holds membership in ASCAP and is a regular recipient of the organization's Special Award. Beyond his compositions, he has collaborated with his wife Sally K. Albrecht on children's musicals, compiled widely-used vocal solo collections, co-authored instructional books including The Complete Choral Warm-up Book and Accent on Composers, and contributed to the Folk Art Society of America's publications. He has served on the boards of the North Carolina Master Chorale and currently advises the Folk Art Society of America's national advisory board.

Why we love this

Althouse's arrangement captures the strength of these spirituals while respecting how quickly your singers need to learn new material in December. The familiar melodic material means rehearsal time goes toward blend and expression rather than note-learning, freeing you to craft something genuinely moving even on a compressed timeline.

What to expect

Rooted and warm. These spirituals carry centuries of musical tradition and spiritual resilience, and Althouse honors that heritage with straightforward harmonies that let the melodies sing. There's joy here alongside depth, the kind of piece that feels both celebratory and grounded.

Who it's for

Choirs with developing singers or limited rehearsal time who need a Christmas piece that combines artistic integrity with quick accessibility. SAB voicing makes this workable for mixed choirs where the bass section is small or for youth and community choirs seeking part-writing that doesn't talk down to singers.

How to get the most out of it

  • Let the quartet of spirituals breathe as distinct musical moments rather than rushing between them; each one carries its own emotional weight and deserves a small pause for listeners to settle before the next begins
  • Balance the two lower parts with care, since SAB voicing can leave altos exposed if baritones dominate; work the parts separately before bringing them together
  • Use the recorded accompaniment during early rehearsals to help singers internalize the harmonic context, then consider dropping it in final runs to build ensemble confidence

How to use it

Program this as a standalone Christmas set or as the emotional centerpiece of a holiday concert, especially one that explores African American musical traditions. The medley structure lets it stand alone without requiring additional repertoire to fill concert time, making it ideal when December brings competing demands on rehearsal schedules.

Skills your students will build

  • Singing spirituals with historical authenticity and cultural sensitivity
  • Blending three-part SAB voicing with secure lower parts
  • Learning and performing multiple melodies efficiently within a single piece
  • Connecting to a repertoire tradition rooted in American choral history

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