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Boplicity: Jazz Ensemble Conductor Score & Parts

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Boplicity: Jazz Ensemble Conductor Score & Parts

By Cleo Henry / arr. Les Hooper

Grade: 3 (Medium)

Item: 00-JEM04024

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Description
It's time to go to the cool school! Les Hooper keeps it laid back and relaxed for an intimate big band sound in this superb arrangement with written out or ad-lib solos for alto 1 and trumpet 2, tight ensemble voicings, and modest ranges. At mm. 135, keep it cool and mellow. A welcome addition to every library. (5:15)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Boplicity: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 104
UPC: 654979073062
SKU: 00-JEM04024

More about this title

About the Arranger: Cleo Henry

Cleo Henry is an accomplished arranger whose work spans jazz ensemble literature and educational settings. Henry's arrangements prioritize accessibility without sacrificing sophistication, creating pieces that challenge student musicians while keeping the joy of playing front and center.

Why we love this

This arrangement strips away the complications that bog down many jazz charts and delivers genuine cool in its place. The written and ad-lib solo options give you flexibility to feature soloists at different readiness levels, and the tight voicings teach students how to voice a big band section without overwhelming them technically.

What to expect

Cool, unhurried, and sophisticated. The arrangement breathes with the ease of musicians who trust each other, building from an energetic opening into a relaxed, mellow groove that feels more like hanging out than showing off.

Who it's for

Jazz ensembles at the intermediate level who are ready to tackle authentic big band literature without requiring extensive technical fireworks. This works well for groups with developing soloists, since the written-out options eliminate the risk of leaving holes in the performance.

How to get the most out of it

  • Balance the melody with the ensemble in the opening sections; the background figures should support without drowning out the lead voice.
  • Rehearse the transition at measure 135 separately, marking the shift from energetic playing to the mellow, laid-back feel that defines the final section.
  • If your soloists choose the written-out option for alto 1 or trumpet 2, lock them in with the rhythm section through isolated sectional rehearsals.
  • Emphasize the importance of space and silence in this arrangement; what the ensemble doesn't play matters as much as what it does.

How to use it

Pair this with harder-swinging charts to demonstrate the full range of big band expression. Its moderate length (5:15) and comfortable difficulty make it ideal for mid-season programming, giving your ensemble a confidence boost before tackling more challenging material.

Skills your students will build

  • Jazz ensemble balance and blend
  • Interpreting written versus ad-lib solo sections
  • Transitioning between contrasting tempos and feels
  • Reading and executing tight harmonic voicings
  • Sustaining a relaxed, laid-back groove

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