Boogie Blues Cover Image

Boogie Blues: String Orchestra Conductor Score

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Boogie Blues Cover Image

Boogie Blues: String Orchestra Conductor Score

By Deborah Baker Monday

Grade: 1

Item: 98-ST6375S

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Description
Written in the key of D using simple quarter and repeated eighth note patterns, Boogie Blues is a bundle of fun based on a blues progression. All instruments have interesting parts and will enjoy the easy, yet effective groove. Certain to become a student (and audience) favorite!

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444577110
SKU: 98-ST6375S

More about this title

About the Composer: Deborah Baker Monday

Deborah Baker Monday

Deborah Baker Monday shaped string education in Utah's Logan City School District for 25 years, building a nationally recognized orchestra program while maintaining an active career as a performer and clinician. She earned her B.M.E. from Florida State University with a focus on string pedagogy, followed by an M.M. in composition from the University of Alabama and advanced study at Louisiana State University. Her teachers in composition included Harold Schiffman, John Boda, Frederic Goossen, Paul Hedwall, and Dinos Constantinides.

Now retired from full-time teaching, Monday remains deeply engaged with music education as a guest clinician, conductor, and supervisor. She has published over 130 compositions and arrangements for educational strings across seven publishing companies, earning the Utah ASTA Composition Competition award twice (2006 and 2011) and recognition as Outstanding Elementary Educator from the Utah ASTA. Her work reflects two decades of direct experience understanding what resonates with young string players.

Why we love this

Monday writes with genuine affection for beginning string players, and it shows in every measure. The groove here is authentic enough to feel cool but simple enough that every section gets a moment to shine, which keeps the ensemble engaged and builds real confidence in first-year musicians.

What to expect

Boogie Blues swings with the easy confidence of a jazz club, built on the familiar comfort of blues changes and steady quarter-note walking. Every player gets to feel the groove, whether they are carrying the bass line, punctuating on the beat, or floating above with repeated figures.

Who it's for

First-year string orchestras ready to experience a style beyond classical repertoire. This piece works especially well for ensembles that respond to rhythm, groove, and contemporary energy.

How to get the most out of it

  • Establish the pulse as a steady, relaxed walk; the rhythm patterns are deceptively simple, so resist the urge to rush and let the groove breathe.
  • Balance the eighth note patterns between voices so they lock together as a unified rhythmic engine rather than sounding like competing lines.
  • Encourage open, resonant tone across all sections; a thin or pinched sound will flatten the blues feel.

How to use it

Program this as a spring concert showstopper when your beginning ensemble has developed solid rhythmic foundation and tone control. It pairs well on a concert with traditional classical selections, offering a stylistic variety that energizes both students and audience.

Skills your students will build

  • Playing within a blues harmonic progression
  • Maintaining steady eighth-note and quarter-note rhythm patterns
  • Balancing multiple rhythmic layers in a single key
  • Recognizing and responding to groove-based musicality

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