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Boogie Blues: String Orchestra Conductor Score & Parts

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Boogie Blues Cover Image

Boogie Blues: String Orchestra Conductor Score & Parts

By Deborah Baker Monday

Grade: 1

Item: 98-ST6375

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Description
Written in the key of D using simple quarter and repeated eighth note patterns, Boogie Blues is a bundle of fun based on a blues progression. All instruments have interesting parts and will enjoy the easy, yet effective groove. Certain to become a student (and audience) favorite!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Boogie Blues: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 674398233885
SKU: 98-ST6375

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About the Composer: Deborah Baker Monday

Deborah Baker Monday

Deborah Baker Monday brings three decades of string education experience to her composition work. She earned her B.M.E. from Florida State University with an emphasis in string education, later completing graduate studies in composition at the University of Alabama and additional doctoral coursework at Louisiana State University. During her 25 years leading the Logan City orchestra program, which earned recognition as an award-winning ensemble, she developed deep expertise in what works for student musicians at every level.

Monday has published over 130 compositions and arrangements with seven publishing companies, focusing primarily on educational strings. Her work has been recognized with the UtahASTA Composition Competition awards (2006 and 2011) and commendations for Outstanding Elementary Educator and Superior Accomplishment. She continues to mentor the next generation as a guest clinician, conductor, and teaching supervisor, drawing on her own experience as a bassist and her studies with prominent theorists and composers.

Why we love this

Monday writes with a conductor's understanding of what strings need to stay engaged and sound good together. The blues groove here is instantly appealing to young players, and the fact that every section gets interesting material means no one sits through rhythmic filler waiting for their moment.

What to expect

A straightforward, good-natured blues that swings with youthful joy. The repeated eighth note patterns create a propulsive, almost hypnotic forward motion, while the D major tonality keeps things bright and optimistic.

Who it's for

String orchestras in grades 1-2 who are ready for simple blues vocabulary and want to play something with contemporary groove and energy. Conductors seeking material that sounds sophisticated and fun to audiences while keeping technical demands accessible.

How to get the most out of it

  • Lock the pulse in the rhythm section (cellos and basses) before rehearsing the melody parts. A solid, consistent groove makes everything else land naturally.
  • Balance the eighth note patterns across all voices so the accompaniment doesn't overshadow the melodic material. These ostinatos support the tune; they shouldn't dominate it.
  • Encourage the ensemble to feel the blues pocket rather than rush ahead. A relaxed tempo with confidence sounds far better than a metronomic, rigid interpretation.
  • Have students listen to recordings of blues progressions in other genres (blues piano, blues guitar, jazz) so they understand the harmonic world they're inhabiting, even at this beginner level.

How to use it

Program this in a winter or spring concert alongside traditional classical selections to show audiences the range of your ensemble's repertoire. It works equally well as a morale booster mid-rehearsal or as a crowd-pleaser that reminds students why they enjoy playing together.

Skills your students will build

  • Blues harmony recognition (I-IV-V progression in D major)
  • Groove and rhythmic feel (steady eighth note accompaniment patterns)
  • Balance between melody and accompaniment
  • Reading and performing repeated rhythmic ostinatos
  • Dynamic control within a single groove-based arrangement

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