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Bon Voyage: Intermediate Piano Sheet

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Bon Voyage Cover Image

Bon Voyage: Intermediate Piano Sheet

By Christopher Goldston

Item: 98-W9371

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Description
This piece is an expressive intermediate ballad, perfect for the teenage or adult student. Written in 4/4 time, it explores a variety of keys and offers a lyrical, rubato-playing experience. This piece is wonderful for recitals to display the pianist’s own sentimental interpretation.

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Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
UPC: 674398227488
SKU: 98-W9371

More about this title

About the Composer: Christopher Goldston

Christopher Goldston

Christopher Goldston earned his Master of Music in piano performance and pedagogy from Northwestern University and his Bachelor of Music in piano performance from the University of North Carolina-Greensboro. He has held faculty positions at Columbia College Chicago, Roosevelt University, and Sherwood Conservatory of Music, and continues to teach both privately in Chicago and online.

Goldston's compositional voice has been recognized throughout his career. In 1991, he won the National Federation of Music Clubs Lynn Freeman Olson Composition Award for his first work, Night Train. Since 2010, he has served as national coordinator for the MTNA Composition Competition. He was named an MTNA Foundation Fellow in 2020 and served as MTNA National Secretary-Treasurer from 2021 to 2023. His commissioned work Four Virtues for oboe, violin, and piano premiered at the 2022 MTNA National Conference.

Why we love this

Goldston writes for the player, not at them. Bon Voyage gives intermediate pianists genuine musical material to interpret rather than serving them exercises disguised as pieces. The harmonic variety and rubato-friendly phrasing invite the kind of personal expression that makes a recital performance memorable.

What to expect

Bon Voyage unfolds like a lyrical daydream. The sentimental character gives you permission to slow down and color your sound with intention, while the harmonic movement keeps the ear engaged and prevents sentimentality from tipping into saccharine.

Who it's for

Intermediate pianists ready to move beyond technical studies into expressive playing. This works beautifully for the teenage student seeking material that feels grown-up without being virtuosic, as well as adult learners drawn to ballad-like repertoire.

How to get the most out of it

  • Allow the harmonic progressions to breathe. Goldston's key changes create natural moments to shape the line with subtle tempo flexibility.
  • Trust your instincts with rubato in the lyrical sections. The piece invites you to lean into phrases that feel meaningful rather than adhere to metronomic precision.
  • Map the emotional arc before you play. Identify where the piece builds and where it retreats so your interpretation feels purposeful rather than random.

How to use it

Place this late in a recital when the audience is settled and ready to listen closely. It pairs well with other moderate-length character pieces or could anchor a program section exploring contemporary solo piano writing.

Skills your students will build

  • Rubato and flexible tempo control in a ballad context
  • Navigating harmonic movement across multiple key areas
  • Shaping long phrases with dynamic and agogic expression
  • Building interpretive choices beyond notation

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