Bohemian Danish Folksong, F. 130: Paraphrase (Boehmisk Dansk Foktetone) Cover Image

Bohemian Danish Folksong, F. 130: Paraphrase (Boehmisk Dansk Foktetone): String Orchestra, Full Score

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Bohemian Danish Folksong, F. 130: Paraphrase (Boehmisk Dansk Foktetone) Cover Image

Bohemian Danish Folksong, F. 130: Paraphrase (Boehmisk Dansk Foktetone): String Orchestra, Full Score

By Carl A. Nielsen

Item: 36-A679601

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Description
In 1928, Carl Nielsen (1865-1931) composed the BOHEMIAN DANISH FOLKSONG, F. 130, to fulfill a commission from Danish Radio in honor of a visit from the Czech conductor Jaroslav Krupka. Unpublished after his death, the work derives its material from a pair of songs, a Czech folk tune and the Danish song Dronning Dagmar. The second song relates the death-bed confession of Queen Dagmar, wife of King Valdemar, in which she divulges her only earthly sin: lacing her sleeves on a Sunday. This Kalmus edition is paraphrased for string orchestra. Instrumentation: String Orchestra (8.8.5.5.5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270721-3
ISBN13: 979-8-89-270721-3
UPC: 660355155536
SKU: 36-A679601
Instrumentation: String Orchestra (8.8.5.5.5 in set)

More about this title

About the Composer: Carl A. Nielsen

Carl Nielsen (1865-1931) stands as Denmark's most significant composer and a towering figure in early 20th-century music. His output spans symphonies, concertos, operas, and chamber works, all marked by structural clarity, harmonic daring, and a deep connection to Scandinavian cultural identity. Nielsen's music balances modernist innovation with accessibility, refusing to abandon melody or narrative thrust even as he expanded the boundaries of tonality.

Throughout his career, Nielsen drew inspiration from folk traditions and national identity. Commissions from institutions like Danish Radio kept him engaged with contemporary cultural moments, and this paraphrase of a Bohemian Czech tune paired with the medieval Danish ballad "Dronning Dagmar" reflects his lifelong interest in how folk material could sustain large-scale musical thought. His string writing remains among the most idiomatic and rewarding in the orchestral repertoire.

Why we love this

This string arrangement opens a window into Nielsen's relationship with folk material and national identity, yet it remains substantially less performed than his symphonies or concertos. Programming it offers your orchestra genuine discovery and the chance to demonstrate how a major modernist voice engaged with traditional music. The transparent scoring and folk-derived melody make it accessible for developing ensembles while the harmonic sophistication rewards careful listening.

What to expect

A reverent meditation on two linked folk melodies, one Czech and one Danish, that unfold with the inevitability of a folk narrative. The harmonies warm and deepen the simplicity of the source material without sentimentality, creating an atmosphere of quiet dignity. The work holds the quality of a story told by someone who deeply understands its cultural weight.

Who it's for

String orchestras seeking repertoire that honors folk traditions while engaging with early 20th-century compositional sophistication. Directors programming Nielsen or exploring Scandinavian string literature will find this work both stylistically coherent and relatively accessible compared to his larger orchestral works.

How to get the most out of it

  • Shape the folk melodies with long, singing lines. Nielsen's paraphrase technique depends on your strings finding warmth and narrative continuity in what could otherwise sound like simple tune arrangement.
  • Balance the historical layering of Czech and Danish material by bringing out thematic entries clearly. The dialogue between the two folk sources is central to the work's character.
  • Pay attention to Nielsen's string texture and doublings. His orchestration reveals harmonic layers and contrapuntal relationships that disappear if the ensemble plays without transparency.
  • Establish a steady, unhurried tempo. This paraphrase gains its meditative quality from allowing the folk melodies space to breathe rather than pushing forward rhythmically.

How to use it

Position this as a centerpiece for a string orchestra concert focused on Nordic or early 20th-century repertoire. Its moderate length and contemplative mood make it an effective program opener or transition between more dramatic works. Consider pairing it with other Nielsen orchestral music or with contemporary string works to illustrate his compositional approach.

Skills your students will build

  • Sustaining long melodic lines with consistent tone and phrasing across the string section
  • Balancing transparent orchestration where multiple harmonic layers are active simultaneously
  • Responding to folk-derived material with stylistic awareness of early 20th-century treatment of traditional music
  • Maintaining ensemble cohesion in slow, lyrically driven textures

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