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Blue Tiger: Jazz Ensemble Conductor Score

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Blue Tiger: Jazz Ensemble Conductor Score

By Erik Morales

Grade: 3.5;4

Item: 98-JE4155S

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Description
This hard swingin' chart pays a sparkling homage to the great Henry Mancini. A wonderful way to feature your tenor sax and trumpet soloists, as well as your entire sax section in a hip feature.

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Additional Details
Series: FJH Intermediate Jazz Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 241444610152
SKU: 98-JE4155S

More about this title

About the Composer: Erik Morales

Erik Morales

Erik Morales grew up in New York City and began composing shortly after high school when a band director in South Florida invited him to arrange music for the marching ensemble in 1985. That early opportunity launched a prolific career spanning classical, jazz, and commercial idioms; his catalog now exceeds 150 published works performed internationally by schools and ensembles at every level.

A trumpeter by training, Morales has earned particular recognition for his contributions to the brass repertoire. His trumpet ensemble works have placed first at both the 2006 and 2008 National Trumpet Competitions, and his Concerto for Trumpet in C and Piano premiered at the 2009 International Trumpet Guild conference. He holds degrees from Florida International University and the University of Louisiana, Lafayette, and was inducted into the Louisiana Association for Jazz Education's Hall of Fame in 2016. Throughout his career, he has balanced artistic ambition with educational practicality, earning commissions from schools and organizations across the country.

Why we love this

This chart swings hard without demanding virtuosity from every section. Morales writes for the soloists with real jazz character while keeping the ensemble parts accessible; your reed players and brass will all have moments to shine, but the backbone stays rhythmically grounded and straightforward. Programming something this polished and musically satisfying at the 3.5/4 level is rarer than it should be.

What to expect

Sophisticated and bouncy at once. The harmonic language sparkles with jazz color, but the groove propels everything forward with infectious lightness. You hear Mancini's fingerprints in the orchestration and melodic sensibility, but Morales makes it entirely his own.

Who it's for

Jazz ensemble directors at the intermediate level who need a vehicle for featuring multiple soloists without overcomplicating the ensemble's job. Players benefit from experiencing how a melody-driven swing chart differs from bebop complexity; the focus stays on phrasing, swing feel, and supporting the featured voices rather than technical display.

How to get the most out of it

  • Lock the sax section's unison lines with crisp articulation; the Mancini influence lives in those clean attacks and the slight swing lilt that follows.
  • Give your tenor soloist room to breathe and interpret. This chart works best when the solo feels personal, not metronomic.
  • Balance the trumpet soli against the full ensemble carefully. The horn players should be heard without drowning out the rhythmic foundation underneath.

How to use it

This works beautifully as a showcase piece mid-season once your rhythm section has developed solid pocket and your soloists have some confidence under their belts. Pair it with a blues tune and a standard to build an entire set around the swing idiom, or position it as a contrast to a more modern or complex chart later in the program.

Skills your students will build

  • Swing feel articulation and phrasing
  • Accompanying techniques for featured soloists
  • Reading and executing jazz notation at tempo
  • Balancing dynamic weight between ensemble and solo voices
  • Developing personal interpretation within a written framework

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