Blue Moon Cover Image

Blue Moon: Choral SoundTrax CD

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Blue Moon Cover Image

Blue Moon: Choral SoundTrax CD

Music by Richard Rodgers, lyrics by Lorenz Hart / arr. Kirby Shaw

Item: 00-52276

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Description
Just in time for the movie of the same name, this Great American Songbook standard remains timeless as ever in a slick arrangement by Kirby Shaw. Tasteful vocal jazz harmonies and singable swing rhythms freshen up this beloved Rodgers and Hart classic. While neither voicing is difficult, the SAB voicing allows beginning groups to experience the style. SoundPax includes parts for guitar, bass, and drumset.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081601052
SKU: 00-52276

More about this title

About the Composer: Richard Rodgers

Richard Rodgers stands as one of the most prolific and successful composers of American musical theater. His partnership with lyricist Lorenz Hart produced some of the Great American Songbook's most enduring standards, including "My Funny Valentine," "The Lady Is a Tramp," and "Blue Moon." Rodgers had an gift for crafting melodies that feel both sophisticated and immediately singable, making his work accessible to performers across skill levels while rewarding deeper musical exploration.

Beyond theater, Rodgers' influence on music education is substantial. His melodies appear in countless school and community choir arrangements because they sit naturally in the voice, contain harmonic language that teaches without preaching, and carry enough cultural weight to feel meaningful on stage.

Why we love this

Kirby Shaw's arrangement preserves the elegance of this 1934 standard while bringing genuine swing energy that modern audiences respond to. The SAB voicing removes technical barriers without sacrificing the sophistication of the harmony, and having guitar, bass, and drums available means your singers get to feel what it's like working with a real jazz rhythm section.

What to expect

Sophisticated yet approachable, this arrangement captures the wistful longing in the original melody while infusing it with the easy confidence of a well-played jazz standard. Your singers will discover that swing rhythm has its own logic and elegance, distinct from classical phrasing but equally musical.

Who it's for

Choirs looking to add a swinging standard to their concert repertoire without requiring advanced vocal jazz technique. The SAB voicing makes this accessible to younger or less experienced groups, while the Kirby Shaw arrangement and full SoundPax instrumentation appeal to directors seeking repertoire with genuine style and substance.

How to get the most out of it

  • Treat the swing eighth notes with a triplet feel rather than straight rhythms. Listen to the recorded accompaniment multiple times to let that lilt settle into your singers' bodies before rehearsing.
  • Balance the parts carefully in the harmony sections. Shaw's voicings work because each line has melodic integrity, not because anyone's buried underneath.
  • Let the rhythm section carry the pulse. When guitar, bass, and drums are present, your singers can relax into the groove instead of pushing the tempo themselves.

How to use it

Program this alongside other Great American Songbook selections to create a cohesive set with real stylistic identity. It also works beautifully as a palate cleanser between classical pieces in a mixed concert, giving your audience a moment to settle into something familiar and warm.

Skills your students will build

  • Singing jazz eighth-note rhythms with a triplet feel
  • Balancing harmony parts where every voice line has melodic shape
  • Responding to and locking in with a rhythm section
  • Interpreting sustained ballad lines with stylistic expression

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