Blaze Away Cover Image

Blaze Away: Brass Quintet Score & Parts

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Blaze Away Cover Image

Blaze Away: Brass Quintet Score & Parts

March and Two Step

By Abe Holzmann / arr. David Marlatt

Level: Medium

Item: 81-BQ14406

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Description
Blaze Away is a great march which was first published in 1901. It was written for concert band/brass band on march cards as well as versions for piano, organ, guitar and even banjo band!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-125-X
ISBN13: 978-1-77157-125-8
UPC: 685462021260
SKU: 81-BQ14406
Instrumentation: Brass Quintet

More about this title

About the Composer: Abe Holzmann

Abe Holzmann (1852-1920) was a prolific American composer and bandmaster whose marches became staples of the American brass band repertoire in the late 19th and early 20th centuries. Known for his gift for memorable melodic writing and straightforward orchestration, Holzmann composed dozens of marches that captured the spirit of the era and proved durable enough to survive in performance more than a century later.

Holzmann's work as a bandmaster and composer kept him deeply connected to the practical needs of performing ensembles. His marches were designed to work across multiple instrumentation options, which explains why pieces like Blaze Away appeared in versions for concert band, brass band, piano, organ, and even banjo band. This flexibility made his music accessible to community bands and amateur musicians across America.

Why we love this

Holzmann's march writing cuts straight to what makes the form work: clear phrasing, singable melodies, and rhythmic vitality that players feel immediately. The Eighth Note Publications arrangement preserves these strengths while crafting genuine brass quintet textures rather than simply reducing a band score. For a festival or concert, Blaze Away delivers the energy and polish your audience expects without demanding virtuosity beyond the level.

What to expect

Blaze Away radiates optimism and forward motion from its opening notes. The piece maintains the ceremonial dignity of a formal march while staying light enough to feel approachable, never demanding that players sacrifice musicality for showiness.

Who it's for

This arrangement suits quintets working at the intermediate level who want a piece that combines historical significance with immediate musical satisfaction. It's ideal for groups preparing for contests or festival performances where a march fits the programming and showcases both ensemble blend and individual musicianship.

How to get the most out of it

  • Keep the march tempo steady and crisp; this piece lives by its forward momentum rather than rubato or expressive indulgence.
  • Balance the melodic line across your voices so that the tune remains prominent even when it passes between upper and lower instruments.
  • Address the characteristic syncopations in the accompaniment figures with rhythmic precision; they define Holzmann's style.
  • Use dynamics to shape the contrasting sections and build interest through the repeat, rather than playing the same intensity throughout.

How to use it

Open a concert with this classic to establish energy and confidence, or place it strategically in a mixed program to provide contrast with slower or more contemporary works. It's particularly effective in festival contexts where judges expect to see both standard repertoire and solid ensemble control.

Skills your students will build

  • Playing sustained harmonic backgrounds while tracking independent melodic movement
  • Interpreting syncopated rhythmic figures common to early 20th-century American band music
  • Balancing multiple trumpet or cornet parts in tight harmonic intervals
  • Executing clean dynamic shape and articulation across sectional transitions
  • Matching tone color and vibrato within a homogeneous brass ensemble

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