Blalock Canyon March Cover Image

Blalock Canyon March: Concert Band Conductor Score & Parts

$55.00 USD
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Blalock Canyon March Cover Image

Blalock Canyon March: Concert Band Conductor Score & Parts

By Steve Hodges

Grade: 2 (Medium Easy)

Item: 00-37821

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Description
Located in the high desert along the Columbia River, Blalock Canyon was one of the stops chronicled by Lewis and Clark in 1806. This march depicts the sense of discovery and the spirit of adventure reminiscent of their expedition. A perfect opening or closing selection for a concert or festival! (2:35)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Blalock Canyon March: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 134
UPC: 038081434414
SKU: 00-37821

More about this title

About the Composer: Steve Hodges

Steve Hodges

Steve Hodges studied music education at Western Oregon University and Central Washington University, earning degrees in both. Over four decades as a public school band and choir director, he developed a distinctive compositional voice that speaks directly to student musicians and concert audiences alike.

Since 1986, Hodges has published more than 120 concert band compositions with Alfred Music, along with choral arrangements with Staff Music and Shawnee Press. His works have appeared at festivals and conventions across multiple countries and have been commissioned by honor bands and schools throughout North America. His music has also reached national audiences through TBS and ESPN broadcasts. An ASCAP member, Hodges now resides in The Dalles, Oregon, where he remains active in community music and delights in hearing his grandchildren perform his compositions in their school bands.

Why we love this

Hodges captures genuine narrative power without sacrificing accessibility. The march structure gives Grade 2 ensembles a clear architectural blueprint to execute, while the thematic material and programmatic connection to the Lewis and Clark expedition provide musical storytelling that resonates with young musicians who understand what they're playing.

What to expect

The music channels the purposeful energy and wide-open horizons of exploration without pretension. Melodies breathe with clarity; harmonies support rather than complicate; and the overall arc creates genuine forward motion that feels like a journey unfolding rather than a collection of marching-band clichés.

Who it's for

Grade 2 concert bands seeking a march with substance beyond the technical level. This works equally well for groups building repertoire for contests, festivals, or regular concert programs and for directors who want their students to experience music rooted in American history and geographic significance.

How to get the most out of it

  • Build the forward momentum gradually through the first section; resist rushing the tempo even as the energy increases.
  • Emphasize the contrast between the discovery theme and any secondary material; let students hear how the two sections interact musically.
  • Balance the full band sound carefully so melodic lines remain audible; this grade level often overshadows inner voices without conscious attention.
  • Use the concert or festival context to frame rehearsals; students engage more deeply when they understand the piece as a complete musical statement, not just technical exercises.

How to use it

Deploy this as a festival opener to set an ambitious but achievable tone for your ensemble's performance. It also works as a program closer that leaves audiences with a sense of accomplishment and discovery. The historical narrative makes it particularly effective on concerts with an American history or regional geography theme.

Skills your students will build

  • Maintaining steady pulse and forward momentum in march form
  • Balancing full ensemble sound with distinct melodic lines
  • Executing clean articulation at Grade 2 technical demands
  • Interpreting programmatic music and connecting narrative to musical choices
  • Reading and performing conductor cues in concert band setting

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