Black Is the Color... Cover Image

Black Is the Color...: Concert Band Conductor Score

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Black Is the Color... Cover Image

Black Is the Color...: Concert Band Conductor Score

By Robert Sheldon

Grade: 1.5 (Easy)

Item: 00-31697S

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Description
Black Is the Color (of My True Love's Hair) is a traditional folk song first known in the Appalachian Mountains region of United States in 1915, but most probably originated from Scotland. It is about a girl who is waiting for her lover to return from sea. This title is available in MakeMusic Cloud.

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Additional Details
Series: Challenger Band Series
Publisher: Alfred Music
Page Count: 8
ISBN10: 1-4706-5757-0
ISBN13: 978-1-4706-5757-4
UPC: 038081353333
SKU: 00-31697S

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon stands among the most frequently performed composers in wind band repertoire globally. His works appear on countless festival and contest programs, and his music has been performed in some of the world's most prestigious venues, including Carnegie Hall, the Kennedy Center, and the Sydney Opera House. He is also the lead author of Sound Innovations for Concert Band, a widely adopted instructional resource.

Sheldon has received significant recognition from the American School Band Directors Association, Phi Beta Mu, and ASCAP for his contributions to music education and composition. His schedule reflects the depth of demand for his work: he regularly accepts commissions, conducts guest appearances with All-State and Regional Honor Bands, and presents clinics at universities and state music education conferences across the United States and internationally (Japan, Canada, Italy, Germany, Australia, and China). In 2020, VanderCook College of Music awarded him an honorary doctorate.

Why we love this

Sheldon's Grade 1.5 arrangement brings genuine musical substance to an early-level score. The traditional folk melody unfolds with natural phrasing and emotional weight, never feeling watered down despite the accessible orchestration. Young musicians learn that simplicity and sincerity are not compromises but artistic choices.

What to expect

A quiet longing set to melody. The Appalachian folk idiom carries both melancholy and grace, evoking the image of someone watching and waiting by the shore. The arrangement preserves the song's intimate character while allowing a young band to contribute genuine musicality to the performance.

Who it's for

Beginning and early intermediate concert bands (grades 5-7 or freshman year high school) looking to expand beyond standard teaching repertoire. This is ideal for ensembles ready for genuine musical expression but not yet equipped to handle complex harmonies or rapid part independence.

How to get the most out of it

  • Allow the melody to breathe through sustained passages rather than rushing or over-articulating. Young bands often push the tempo when they should luxuriate in a slower, more expressive pace.
  • Balance the supporting voices so the tune remains the clear focal point. In easy arrangements, part independence matters less than ensemble cohesion and blending around a single line.
  • Consider how minor tonality and slower tempos will affect your students' phrasing and breath support. This is early preparation for the emotional demands of more complex folk repertoire.

How to use it

Program this early in a concert where emotional contrast is needed, or pair it with other folk-based works to create thematic continuity. It also serves well as a teaching concert feature that demonstrates your band's maturity beyond technical display pieces.

Skills your students will build

  • Sustained phrase phrasing in slower tempos
  • Maintaining balance when supporting a single melodic line
  • Playing with expression and emotional intent at an accessible technical level
  • Listening for blend within a minor key context

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