Black Is the Color... Cover Image

Black Is the Color...: Concert Band Conductor Score & Parts

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Black Is the Color... Cover Image

Black Is the Color...: Concert Band Conductor Score & Parts

By Robert Sheldon

Grade: 1.5 (Easy)

Item: 00-31697

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Description
Black Is the Color (of My True Love's Hair) is a traditional folk song first known in the Appalachian Mountains region of United States in 1915, but most probably originated from Scotland. It is about a girl who is waiting for her lover to return from sea. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Black Is the Color...: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Challenger Band Series
Publisher: Alfred Music
Page Count: 120
ISBN10: 1-4706-5756-2
ISBN13: 978-1-4706-5756-7
UPC: 038081353326
SKU: 00-31697

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon stands among the most frequently performed composers in the wind band repertoire. His works appear regularly on state festival lists and concert programs worldwide, and he continues to produce new compositions annually while maintaining an active schedule as a guest conductor and clinician at honor bands, universities, and regional conferences across North America, Europe, Asia, and Australia.

Why we love this

Sheldon's treatment of this Appalachian folk melody respects the song's lyrical beauty while remaining perfectly suited to young ensemble capabilities. The Grade 1.5 scoring demands genuine musicality without technical overload, making it an ideal choice when you need a concert piece that sounds mature but stays within realistic rehearsal time. It's the kind of arrangement that reminds students why they play in the first place.

What to expect

A quiet, intimate portrait of longing and patience. The harmonic language supports the folk tune's gentle melancholy, creating an atmosphere of someone gazing toward a distant horizon, waiting for what may or may not return.

Who it's for

Early intermediate concert bands preparing repertoire for festival or spring concert programming. This title serves equally well for ensembles building confidence and musicality as for those seeking accessible literature that doesn't sacrifice artistic integrity.

How to get the most out of it

  • Shape the melody with long, connected phrasing rather than chopping it into small gestures. Let the folk tune breathe as it would in a traditional vocal performance.
  • Balance the inner voices and accompaniment so the main theme emerges clearly without the supporting parts disappearing. Young bands often pull inward at this level; encourage them to listen outward.
  • Establish a warm, unrushed tempo that allows the emotional content of the text (a lover waiting by the sea) to register with your audience. Resist the impulse to move quickly simply because the piece is easy.

How to use it

Program this as a thoughtful interlude between more energetic pieces, or use it to open a concert with emotional immediacy. It also pairs beautifully with other folk-based or Americana repertoire, and its brevity makes it an excellent choice for festivals where concert time is limited.

Skills your students will build

  • Sustaining long melodic lines with consistent tone and intonation
  • Balancing principal melodic voices with accompaniment textures
  • Responding to expressive, song-like phrasing rather than strictly metered rhythm
  • Reading and performing parts in a full concert band score at Grade 1.5 level

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