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Big Swing Face: Jazz Ensemble Conductor Score & Parts

$48.00 USD
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Big Swing Face Cover Image

Big Swing Face: Jazz Ensemble Conductor Score & Parts

By Bill Potts / arr. Alan Baylock

Grade: 3 (Medium)

Item: 00-JEM05034

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Description
Arranger Alan Baylock takes this classic swing chart, composed by Bill Potts, and performs the Baylock harmonic magic. Features include lots of contemporary flat 5 chords, lead trumpet to B-flat above staff, and plenty of solo space for all saxes, trumpets, and bones. Based on the blues scale, this chart has swing figures galore and an optional vibe part, too. Swing! (3:32)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Big Swing Face: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 118
UPC: 654979093763
SKU: 00-JEM05034

More about this title

About the Arranger: Bill Potts

Bill Potts is a composer and arranger whose work spans jazz, commercial music, and film scoring. His compositions and arrangements have become staples in jazz education, known for their accessible harmonic language and strong swing feel that engages both student musicians and audiences alike.

Why we love this

Alan Baylock's harmonic reworking transforms this blues-based chart into something with real contemporary snap. The solo opportunities are distributed generously across the saxophone and brass sections, making sure every strong player gets a moment, and the optional vibe part adds textural depth without complicating the core ensemble sound.

What to expect

Straight-ahead groove with harmonic sophistication underneath. The flat 5 chords and modern voicings give it a cooler, slightly edgier swing feel than traditional big band writing, while the blues-scale foundation keeps everything grounded and accessible. It swings hard without pretension.

Who it's for

Jazz ensembles at the Grade 3 level that want a contemporary swing chart with genuine solo moments for multiple players. It works equally well for festival contest prep or concert programming, since the 3:32 duration fits cleanly into either context.

How to get the most out of it

  • Lock the rhythm section into a tight, relaxed swing pulse from the first rehearsal. The chart sits on the blues scale throughout, so consistency in feel matters more than rushing.
  • Encourage soloists to listen to the recorded version before their first time through. The harmonic substitutions are modern enough that knowing Baylock's voicings helps them land their phrasing.
  • Balance the lead trumpet's high register lines (B-flat above staff) with ensemble texture rather than volume. These passages should cut through without forcing the section.

How to use it

Program this as a feature chart for a jazz concert where you want to showcase your section soloists without running long. It also holds up well as a contest selection, since the arrangement is polished and the balance between ensemble playing and solo space appeals to adjudicators.

Skills your students will build

  • Soloing over blues changes with modern harmonic substitutions
  • Swing rhythmic figures and phrasing conventions
  • Reading and performing contemporary jazz voicings (flat 5 chords)
  • Balance and blend in jazz ensemble textures
  • High register trumpet playing (B-flat above staff)

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