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Big Pop Instrumentals: Flute Book

$20.99 USD
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Big Pop Instrumentals: Flute Book

Item: 55-9848A

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Description
Titles: All By Myself * All the Way * Amazed * Anakin's Theme * Angels * Arthur's Theme * As Time Goes By * Bad * Beat It * Beautiful Stranger * Beyond the Sea * Billie Jean * Blueberry Hill * Can't Get You Out of My Head * Careless Whisper * Days of Wine and Roses * Don't It Make My Brown Eyes Blue * Duel of the Fates * Eternal Flame * Evergreen * Family Affair * Flying Without Wings * Genie in a Bottle * Great Balls of Fire * Handbags and Gladrags * Hey Good Lookin' * House of the Rising Sun * How Do I Live * I Could Have Danced All Night * I Don't Want to Miss a Thing * I Say a Little Prayer * Just the Two of Us * La Isla Bonita * Livin' La Vida Loca * Misty and more.

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Additional Details
Series: IMP Edition
Publisher: IMP
Page Count: 96
ISBN10: 1-84328-405-7
ISBN13: 978-1-84328-405-5
UPC: 9781843284055
SKU: 55-9848A
Instrumentation: Flute

More about this title

Why we love this

Ninety-six pages of repertoire that actually connects with your students. The collection spans decades of pop, film, and standard hits, so there's something every flutist recognizes and wants to play. You get immediate engagement without sacrificing musicianship.

What to expect

Accessible without feeling shallow. These arrangements honor the melodies that made these songs memorable while sitting comfortably under a developing flutist's fingers. The collection feels like a radio station curated specifically for you.

Who it's for

Flute students in their second or third year of study who are ready to move beyond beginner method books but thrive on music they actually hear outside the practice room. Young musicians seeking variety in a single collection will find material that spans Broadway standards, film themes, and contemporary hits.

How to get the most out of it

  • Balance dynamic contrast within the pop idiom. Many of these melodies rely on subtle phrasing rather than constant volume; use shaping to make even simple lines feel intentional.
  • Match articulation to the character of each piece. Legit ballads like 'As Time Goes By' need different tonguing choices than driving rhythmic pieces like 'Billie Jean.'
  • Lock into steady time, especially in uptempo selections. Pop phrasing often lives in the pocket between the beat, so a strong internal metronome matters more than classical rubato here.

How to use it

Assign selections as recital solos throughout the year, pairing them with lighter concert programming between classical works. Students often maintain practice momentum when they know they're preparing music they genuinely enjoy hearing themselves play.

Skills your students will build

  • Playing across a wide dynamic range within popular idioms
  • Phrasing melody-driven material with shape and intention
  • Reading and performing music across multiple decades and styles
  • Developing consistent articulation choices for different song characters
  • Sustaining tone quality in longer melodic phrases

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