Big Noise from Winnetka Cover Image

Big Noise from Winnetka: Marching Band Conductor Score & Parts

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Big Noise from Winnetka Cover Image

Big Noise from Winnetka: Marching Band Conductor Score & Parts

Words by Gil Rodin and Bob Crosby, music by Bob Haggart and Ray Bauduc / arr. Mike Story

Grade: 2 (Easy)

Item: 00-MBM04026

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Description
Check out this Big Band classic, now in an easy version that any band can play. Perfect as a production number or a stands tune. It's hot!

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Additional Details
Series: Big and Easy
Publisher: Alfred Music
ISBN10: 0-7579-3552-4
ISBN13: 978-0-7579-3552-7
UPC: 654979076315
SKU: 00-MBM04026

More about this title

About the Composer: Bob Haggart

Bob Haggart was a bassist and composer whose work defined the sound of swing-era jazz. As a founding member of the Bob Crosby Orchestra, Haggart helped establish the big band style that dominated American popular music in the 1930s and 1940s. His compositions, including the enduring "Big Noise from Winnetka" (co-written with drummer Ray Bauduc), remain staples of jazz repertoire and have been adapted across countless instrumental and vocal settings.

Why we love this

This Grade 2 arrangement captures all the swagger and rhythmic punch of the original without overwhelming younger or developing bands. The orchestration balances accessibility with authentic swing flavor, giving students a genuine big band experience rather than a watered-down approximation. It works equally well as a concert opener, halftime feature, or field show closer because the melody and groove are instantly recognizable and deeply satisfying to perform.

What to expect

Immediate, infectious joy. The melody bounces with urban energy and cheeky confidence, backed by a rhythm section that swings hard. Every student gets a moment to shine, whether carrying the lead or anchoring the groove.

Who it's for

This arrangement welcomes bands with mixed ability levels and limited jazz experience. It suits programs looking to add a crowd-pleasing jazz standard to their marching or concert season without requiring advanced swing interpretation skills from students.

How to get the most out of it

  • Nail the rhythmic syncopation by isolating the offbeat accents in sectional rehearsals; this is the groove engine of the whole tune.
  • Lock in with the rhythm section from day one rather than treating it as background. The bass line and drums drive every phrase.
  • Balance ensemble volume so the melodic voices cut through without drowning out the horn section support underneath.
  • Keep the swing feel loose and relaxed rather than metronomic; the whole point is playfulness and energy, not precision-marching tempo

How to use it

Deploy this as your high-energy concert opener or a field show production number that electrifies the crowd in the first minute. It pairs well alongside other big band standards or as a jazzy counterpoint to a classical program, and its brevity makes it ideal for marching band competitions where a sharp, memorable opener sets the tone.

Skills your students will build

  • Playing and interpreting swing rhythm and syncopation
  • Balancing ensemble blend in a rhythm section context
  • Reading jazz articulations and style markings
  • Responding to rhythm section leadership and pulse

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