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Big Band Drumming at First Sight: Drum Book & Online Audio/PDF

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Big Band Drumming at First Sight Cover Image

Big Band Drumming at First Sight: Drum Book & Online Audio/PDF

By Steve Fidyk

Item: 00-37262

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Description
With Big Band Drumming at First Sight, Steve Fidyk offers a comprehensive approach to improve sight-reading skills in a big band setting. With advice on how to accompany different musical forms and playing styles, Fidyk gives detailed information that will strengthen your ability to recognize band figures and beat patterns quickly and easily. The companion play-along recording features 10 arrangements of varying styles with beat and figure examples extracted from each score that are looped or repeated several times for thorough study. Big Band Drumming at First Sight will be an invaluable tool in helping you to become a better sight-reader! Read, listen, study, and learn through Steve's experience on what it takes to look at a drumset part once, and know how to deliver the musical goods with confidence!

"It was love at first sight when I first encountered this book. Here is a great resource that is focused on sight-reading big band charts correctly the first time."

-Percussive Notes

"Rather than offering exercises in speedy note reading, the volume covers the fine art of chart interpretation with useful advice and clear illustrations."
-Jeff Potter, Modern Drummer

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Additional Details
Publisher: Alfred Music
Page Count: 72
ISBN10: 0-7390-7882-8
ISBN13: 978-0-7390-7882-2
UPC: 038081416199
SKU: 00-37262

More about this title

About the Composer: Steve Fidyk

Steve Fidyk

Steve Fidyk built his reputation as a drummer who understands both the technical and interpretive sides of jazz performance. Over two decades with The Army Blues Big Band in Washington D.C., he developed deep expertise in big band drumming, working as both a bandleader and featured soloist. He has recorded extensively as a sideman and leader, with albums including Heads Up! and Allied Forces showcasing his original arrangements and compositions.

Fidyk brings classroom experience to his writing through faculty positions at Temple University and The University of the Arts in Philadelphia. He serves as an educational consultant for Jazz at Lincoln Center's Essentially Ellington Program, and has performed with major symphony orchestras across the country. His perspective on sight-reading and chart interpretation comes from decades of real bandstand experience and dedicated work with student musicians.

Why we love this

Fidyk cuts through the usual sight-reading drills and teaches what actually matters: interpreting a chart on the first read. The book pairs practical advice on accompanying different forms and styles with a play-along recording that isolates specific figures and patterns, letting drummers study context rather than abstract notation. This is how professional drummers learn, and now your students can too.

What to expect

Opening this book feels like having a mentor in the room. Fidyk's writing is direct and experienced, walking you through the thinking process behind reading a big band part rather than just throwing patterns at you. The play-along recording pulls you into real musical situations, so you're not drilling exercises in isolation but learning how patterns actually function in arrangements.

Who it's for

Jazz drummers working toward confident sight-reading in a big band context will find this book essential, whether you're preparing for auditions, jazz ensemble rehearsals, or just want to handle new charts with authority. It serves drummers at intermediate level and above who have basic drumset facility but need to develop the interpretive reading skills that separate casual players from working musicians.

How to get the most out of it

  • Study the isolated beat and figure examples from the play-along recording before tackling the full arrangements. Repetition builds recognition, so loop each example until the patterns become automatic.
  • Read through an entire chart silently first, marking trouble spots and noting style cues (comping patterns, brush techniques, dynamic shifts) before the band starts counting off.
  • Listen closely to how the accompaniment recording interprets each form. Pay attention to the drummer's choices about when to lay back, when to push, and how to support different sections.
  • Practice switching between the written notation and listening to the recording. The goal is building the mental bridge between what you see and what you hear in real time.

How to use it

Use this during your jazz ensemble rehearsals as a targeted sight-reading tool before introducing new charts to the full band. Drummers working through this material independently will come to rehearsal more confident and prepared, which accelerates the ensemble's ability to learn new material. It also pairs naturally with jazz history units where students explore big band styles and want to understand how modern drummers approach the same repertoire.

Skills your students will build

  • Reading and recognizing big band beat patterns and comping figures at sight
  • Interpreting stylistic conventions across swing, ballad, bebop, and latin forms
  • Coordinating hand and foot patterns while reading chord changes and section hits
  • Accompanying different musical textures (walking bass lines, horn sections, soloists)
  • Developing confidence and accuracy on first read-through

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