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Bethlehem Hallelu: Choral Octavo SoundTrax CD

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Bethlehem Hallelu Cover Image

Bethlehem Hallelu: Choral Octavo SoundTrax CD

Music by Jay Althouse

Item: 00-20141

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Description
It has hints of Africa, as well as the Caribbean. Certainly, Bethlehem Hallelu has its roots in the African Diaspora. It's rhythmic and melodic, in a walking tempo wich anchors the piece as it builds through several rising modulations. A part for two drums is included in the publication and Jay Althouse lists no less than eight performances options in his Performance Notes, including voices with drum and bass. Tailor it to your needs and the talents of your students, or use the "world music" SoundTrax CD.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081187051
SKU: 00-20141

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career spans both administration and composition; he spent eight years in rights and licensing at a major educational publisher and served on the Executive Board of the Music Publishers Association of America. He holds membership in ASCAP and is a frequent recipient of the ASCAP Special Award.

With over 800 choral works in print, Althouse has established himself as a prolific voice in choral music across all levels. His output ranges from octavos and vocal collections to full-length musicals co-written with his wife, Sally K. Albrecht, and instructional texts including The Complete Choral Warm-up Book and Accent on Composers. His choral composition "I Hear America Singing," co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. He currently serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina.

Why we love this

Althouse gives you genuine flexibility here. Eight distinct performance options let you shape the arrangement to match your ensemble's strengths, whether you lean toward the recorded accompaniment, add percussion, or strip things down to voices alone. The walking tempo grounds the piece even as modulations lift it higher, creating momentum that sustains attention without requiring constant driving.

What to expect

Bethlehem Hallelu pulses with forward motion and joy. Its roots in the African Diaspora surface in rhythmic vitality and melodic contour, anchored by that steady walking tempo that feels inevitable rather than imposed. As the modulations rise, the piece gains brightness and lift without losing its grounded, celebratory character.

Who it's for

Choirs seeking a sacred work that expands their harmonic and cultural vocabulary. This piece engages singers of varying levels because the foundation is straightforward, but the journey through rising keys and world music inflection keeps experienced singers engaged.

How to get the most out of it

  • Establish the walking tempo early in rehearsals and anchor it consistently; the rhythmic foundation is what allows the rising modulations to land with impact rather than feel scattered.
  • If using the drum parts, integrate them gradually during rehearsals so singers lock the pulse internally before layering in percussion.
  • Let the African and Caribbean influences shape your vowel shapes and rhythmic attacks; these colors should feel organic, not imposed.

How to use it

Pair this with other sacred works to create a concert section that honors diverse musical traditions and spiritual expressions. Its rhythmic energy and rising arc make it a strong closer for a holiday concert or a centerpiece for a world music-themed program.

Skills your students will build

  • Singing in rising modulations while maintaining melodic integrity
  • Rhythmic precision in world music contexts
  • Ensemble listening across multiple performance configurations
  • Stylistic awareness of African and Caribbean musical characteristics

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