Beside the Waters: Trumpet & Keyboard Part(s)

Smallman's transcription brings an intimate vocal work into the trumpet recital realm without losing the impressionist color that defines the original. The piano part retains its descriptive role, painting water and clouds while the trumpet sings the central melody, creating a genuine musical conversation rather than a simple instrumental substitution. This is the kind of transcription that makes sense to play because it was made by the composer who knows exactly what the piece needs.

Water moves through the opening passages, unhurried and impressionistic, while the trumpet carries a singing melody that describes time suspended and human connection. As harmonies warm and the music builds, the piece arrives at a joyful, full-voiced resolution that feels both inevitable and celebratory.

Intermediate trumpet players seeking a solo that combines technical accessibility with genuine musical substance. This works equally well for contest and festival play or as a recital centerpiece that audiences connect with emotionally.

• Shape the melodic line with the phrasing of a vocalist; listen to how the piano evokes flowing water and match that fluidity with your breath control and phrase arcs.
• Balance tone production against the impressionist textures in the keyboard part. The piano shouldn't simply accompany but should feel like equal storytelling.
• Approach the triumphant conclusion with full voice and projection, but allow the major key shift to feel earned through your interpretation of the quieter, more reflective passages that precede it.

Pair this with other character pieces or impressionist-leaning works to create a recital arc that showcases lyrical playing rather than virtuosity. The moderate difficulty and contest-friendly format make it suitable for solo competition, where its emotional arc and clear narrative stand out among technical showpieces.

• Sustaining lyrical phrasing through mid-range passages
• Dynamic control in impressionist harmonic contexts
• Musical communication with an ensemble partner (pianist)
• Interpreting character and imagery through tone production