Belwin Master Duets (Flute), Intermediate Volume 2 Cover Image

Belwin Master Duets (Flute), Intermediate Volume 2: Flute Book

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Belwin Master Duets (Flute), Intermediate Volume 2 Cover Image

Belwin Master Duets (Flute), Intermediate Volume 2: Flute Book

Composed or arr. Keith Snell

Level: Intermediate

Item: 00-EL03640

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Description
A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Capriccio (Hassler) * Chanson (de Sermisy) * Gigue A L'Angloise (Telemann) * Gigue (Purcell) * The Glendy Burk (Foster) * Intrada (Anonymous) * La Paix (Handel) * March (Bach) * Menuett (Mozart) * Mexican Folk Song (Traditional) * Minuet in C Minor (Bach) * Prelude & Fughetta (Snell) * Scherzino (Witthauer) * Scherzo (Haydn) * Serenade (Snell) * Swedish Folk Song (Traditional) * Three Dances for Two Flutes (Allegretto/Andante/Allegro) (Snell).

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Additional Details
Series: Belwin Master Duets
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-1490-8
ISBN13: 978-0-7692-1490-0
UPC: 029156212631
SKU: 00-EL03640

More about this title

About the Arranger: Keith Snell

Keith Snell is a prolific arranger and composer whose work has shaped instrumental music education for decades. His arrangements prioritize musical substance without sacrificing accessibility, making him a trusted voice in the Belwin catalog for teachers building student repertoire at intermediate levels.

Why we love this

The collection spans four centuries of musical thought without feeling like a textbook. Snell's original compositions sit comfortably alongside Bach and Handel, giving students the sense they're exploring a coherent musical world rather than skipping through disconnected exercises.

What to expect

A journey through musical styles where each piece feels fresh and purposeful. The pacing shifts from the elegant restraint of Handel to the spirited character of Three Dances, keeping both players engaged and attentive.

Who it's for

Intermediate flute students ready to move beyond unison playing and beginning to navigate the independence that duet work demands. Teachers looking for carefully selected repertoire that covers historical ground without overwhelming students technically.

How to get the most out of it

  • Balance the parts by listening carefully during rehearsal; the secondo line carries harmonic weight and shouldn't fade into accompaniment duty.
  • Treat the folk song arrangements as character studies. Swedish and Mexican traditions each suggest different articulation and phrasing choices.
  • The Baroque dances benefit from clear, confident rhythmic placement. Lock in the rhythmic profile before worrying about dynamics.

How to use it

These duets work well as recital material for upper-intermediate students or as concert openers that demonstrate ensemble work without requiring full band forces. Assign one piece per month during the school year to build a small repertoire of polished performances.

Skills your students will build

  • Independent melodic line reading while tracking a second voice
  • Baroque articulation and phrasing conventions
  • Balance and blend in two-voice texture
  • Musical independence in ensemble settings
  • Stylistic awareness across Renaissance, Baroque, Classical, and folk traditions

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