Belwin Master Duets (Flute), Intermediate Volume 1 Cover Image

Belwin Master Duets (Flute), Intermediate Volume 1: Flute Book

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Belwin Master Duets (Flute), Intermediate Volume 1 Cover Image

Belwin Master Duets (Flute), Intermediate Volume 1: Flute Book

Composed or arr. Keith Snell

Level: Intermediate

Item: 00-EL03240

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Description
A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegretto (Anonymous) * Allegro (Anonymous) * Ballet (Turk) * The British Grenadiers (English Traditional) * Churchill's March (English Traditional) * Concert Duet in Three Movements (Snell) * Gigue (Telemann) * Irish Washer Woman (Irish Traditional) * Polonaise (Mozart) * Portland Fancy (American Traditional) * Prelude (Bach) * Shenandoah (Traditional Sea Chantey) * Sonata (Handel) * Swiss Folk Tune (Traditional) * Two Courtly Masques (Anonymous).

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-1777-X
ISBN13: 978-0-7692-1777-2
UPC: 029156148930
SKU: 00-EL03240

More about this title

About the Arranger: Keith Snell

Keith Snell is a prolific arranger and composer whose contributions to woodwind and brass pedagogy have shaped instrumental curricula across North America. His arrangements and original works prioritize musical substance while remaining accessible to intermediate players, making him a trusted voice in ensemble and duet literature for student musicians.

Why we love this

This collection assembles duets across genuine musical traditions rather than contriving artificial pairings. You get Renaissance counterpoint, Bach chorale work, folk idioms, and freshly composed material all in one book, which means your students encounter real compositional variety without hunting through separate anthologies.

What to expect

You'll move fluidly between the architectural restraint of Bach and Handel, the rhythmic bounce of folk traditions, and the exploratory character of contemporary writing. The collection feels less like a workbook and more like a curated concert program, with each piece offering distinct musical texture and emotional terrain.

Who it's for

Intermediate flute players who have progressed beyond beginning method books and are ready for real ensemble repertoire. This collection also serves teachers seeking reliable duet material for peer coaching, student recitals, or supplementary musicianship alongside a primary method.

How to get the most out of it

  • Balance the two parts by listening actively to your partner's dynamic shape and adjusting your own volume accordingly; one flute shouldn't dominate the phrase.
  • Establish a steady pulse before playing, especially in the Classical-period works where rhythmic clarity matters for clean ensemble attacks.
  • Experiment with different articulation styles for the folk tunes and traditional pieces; a lighter staccato often suits these better than the legato approach some students default to.
  • Use the variety of tempos and styles as a chance to practice intonation adjustments; Baroque works often need different tuning strategies than Romantic-era originals.

How to use it

Schedule these duets as performance repertoire in chamber recitals or studio showcases where intermediate players can demonstrate musicianship to a genuine audience. They also work well as sight-reading material at the start of rehearsals, pairing students strategically to build confidence and listening skills before tackling larger ensemble work.

Skills your students will build

  • Playing in balance with a partner across dynamic contrasts
  • Reading and executing Baroque ornamentation and articulation conventions
  • Performing folk-derived melodies with stylistic authenticity
  • Sustaining musical phrasing in works with varying harmonic rhythms
  • Adjusting intonation for different compositional periods and textures

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