Belwin Jazz Combo Collection Cover Image

Belwin Jazz Combo Collection: Guitar Book

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Belwin Jazz Combo Collection Cover Image

Belwin Jazz Combo Collection: Guitar Book

Arr. Dave Wolpe

Item: 00-24879

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Description
Titles are: Lulu's Back in Town * How High the Moon * Skylark * Prelude to a Kiss * Stompin' at the Savoy * Too Close for Comfort * You Stepped Out of a Dream * Stars Fell on Alabama * You'd be So Nice to Come Home To * Alexander's Ragtime Band.

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Additional Details
Publisher: Alfred Music
Page Count: 24
UPC: 038081272153
SKU: 00-24879
Instrumentation: Guitar

More about this title

About the Arranger: Dave Wolpe

Dave Wolpe

Dave Wolpe began his career as an arranger in 1965 and has spent decades crafting big band charts for some of America's most storied orchestras. His work with the Glenn Miller Orchestra spans dozens of arrangements, and he served as co-arranger on the platinum-selling In the Christmas Mood. Beyond the Glenn Miller legacy, Wolpe has contributed substantially to the libraries of Ray Anthony, Lawrence Welk, and Les Brown, establishing himself as a trusted voice in orchestral jazz and swing.

Why we love this

Wolpe's jazz writing for this collection breathes with the ease of someone who has spent decades inside the big band sound. These ten standards sit comfortably on the guitar, with voicings that let the instrument shine without overcomplicating the harmonic language. The arrangements strike a genuine balance between accessibility and authentic swing feel, making this book as useful for teaching jazz fundamentals as it is for straight-ahead ensemble enjoyment.

What to expect

These are the standards that defined the swing era, and Wolpe's settings preserve their warmth and character while adapting them thoughtfully for the guitar. The collection swings with relaxed confidence, never rushed or overly complicated, capturing the sophisticated ease of mid-century ballrooms and jazz clubs.

Who it's for

Jazz ensemble directors programming intermediate-level combos and guitarists ready to move beyond folk or classical contexts into authentic jazz literature. This book works equally well for guitar-focused jazz classes, small ensemble electives, and directors assembling a balanced combo library.

How to get the most out of it

  • Listen to classic swing recordings of these standards to internalize the original tempos and feel; these arrangements assume players know the idiom, not that they're sight-reading it blind.
  • Pay close attention to Wolpe's chord voicings and comping patterns, especially in the quieter sections, since the guitar often anchors the harmonic foundation in a jazz combo.
  • Lock in your rhythmic placement with the rhythm section early in rehearsal; the swing feel depends on collective pocket awareness, not on individual interpretation.

How to use it

Assign individual titles to different jazz combos throughout the year, or select a suite of three to four pieces for a dedicated jazz ensemble concert. The mix of uptempo swingers and ballads gives you programming flexibility, whether you're building a full jazz night or supplementing a traditional concert with contemporary ensemble work.

Skills your students will build

  • Reading jazz chord symbols and understanding voice-leading in jazz voicings
  • Executing swing rhythms and maintaining pocket in small ensemble contexts
  • Comping techniques specific to guitar in a rhythm section setting
  • Interpretation of standards and familiarity with the jazz repertory
  • Listening and responding to other ensemble members in real time

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