Belwin 21st Century Band Method, Level 3 Cover Image

Belwin 21st Century Band Method, Level 3: B-flat Cornet (Trumpet) Book

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Belwin 21st Century Band Method, Level 3 Cover Image

Belwin 21st Century Band Method, Level 3: B-flat Cornet (Trumpet) Book

By Jack Bullock and Anthony Maiello

Level: 3

Item: 00-B21309

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Description
Level Three completes the curriculum for a three-year course of band. The third level book's format differs slightly from the previous levels to allow for longer exercises for the advancing students. It is also slightly more sophisticated in look for the older students. The third level delves into more major and minor keys and scales, changing keys, and more advanced rhythms and meters, including easy mixed meter pieces. Rock-style, jazz-style, specifically swing rhythms, and more syncopated rhythms are included. The book is divided into eight units, each introducing a new key signature. After Units 2, 4, 6, and 8, selections are included for performance opportunities: full band, Duet Plus, solo with band accompaniment, and, after Unit 8, two full band commissioned pieces by well-known writers Carl Strommen and Mike Story. Popular songs include: The Magnificent Seven * Caravan * Proud Mary * Begin the Beguine * Pennsylvania 6-5000 * Take Five. Classical pieces, folk songs from around the world and American folk songs make playing in the band fun, as well as exposing students to many different cultures and styles of music.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-6364-X
ISBN13: 978-0-7692-6364-9
UPC: 029156933857
SKU: 00-B21309
Instrumentation: B-flat Cornet (Trumpet)

More about this title

About the Author: Jack Bullock

Jack Bullock

Jack Bullock brings three decades of professional experience as a trumpet performer, composer, and educator to his writing. He earned degrees in music education at the undergraduate, graduate, and doctoral levels, and performed with ensembles including the Miami Philharmonic Orchestra and Miami Opera Company, as well as professional show and dance bands across the country. His trumpet studies with Harry Glantz, James Ode, and Craig McHenry shaped his understanding of brass pedagogy and performance.

With over 600 published compositions and arrangements for concert band, orchestra, jazz ensemble, and marching band to his credit, Bullock has shaped instrumental music education through both his classroom teaching and his curriculum design work. He served as assistant band director at Ithaca College's School of Music for seven years and chaired the Music Education Department there for four years. His contributions to innovative school music curriculum and his extensive clinic work across the United States and internationally have established him as a thoughtful voice in band method design.

Why we love this

This third level maintains pedagogical momentum without losing the fun factor that keeps students engaged. Bullock and Maiello structure each unit around a new key signature, building systematic harmonic literacy while the performance opportunities after every other unit give students real reasons to work toward mastery. The inclusion of swing rhythms, mixed meters, and syncopated patterns prepares students for the musical flexibility they'll need in high school and beyond, all while they're learning "The Magnificent Seven" and "Take Five."

What to expect

The third level feels like stepping into the wider world of music. Standard classical repertoire sits alongside jazz standards and popular arrangements, rock-influenced pieces mix with folk music from multiple cultures, and the rhythmic vocabulary expands to include swing and syncopation. Students encounter music that sounds contemporary and relevant to them while building musicianship grounded in tradition.

Who it's for

This book is designed for trumpet and cornet players completing a three-year band method curriculum, typically in grades 5-7. Students using this level have moved beyond fundamental fingering and basic rhythms and are ready to tackle harmonic concepts, style variations, and ensemble confidence.

How to get the most out of it

  • Balance your tone across different key signatures by listening carefully to intonation during the scale and arpeggio work at the start of each unit. Establishing consistent pitch before moving into mixed-key passages prevents drifting.
  • Approach the syncopated rhythms by isolating them at a slow tempo, tapping the pattern while singing the melody. Once the rhythm sits in your body, speed gradually increases smoothly.
  • When playing swing-style passages, let the triplet feel sit naturally rather than rushing it. The bounce comes from relaxation, not tension.
  • In the Duet Plus and solo with band accompaniment sections, mark your entrances and test them against the ensemble parts to ensure your balance sits well in the overall sound.

How to use it

Use this book as the core curriculum for advancing band students in year three of their instrumental study, working through all eight units across the academic year. The built-in performance opportunities create natural concert programming points: shorter pieces after Units 2, 4, and 6; the two commissioned full band pieces by Strommen and Story after Unit 8 provide substantial concert closers that showcase what students have accomplished across the full three-year cycle.

Skills your students will build

  • Reading multiple major and minor key signatures (up to four sharps and flats)
  • Performing mixed meter pieces (combining meters like 3/4 and 4/4 in single compositions)
  • Executing swing rhythms and syncopated patterns with proper feel
  • Changing keys smoothly within pieces and exercises
  • Playing in a variety of musical styles: classical, jazz, rock, folk, and contemporary
  • Sight-reading advanced rhythmic figures and melodic passages
  • Ensemble balance and intonation across changing harmonic contexts

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