Below the Mistletoe Cover Image

Below the Mistletoe: Choral Octavo SoundTrax CD

$19.95 USD
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Below the Mistletoe Cover Image

Below the Mistletoe: Choral Octavo SoundTrax CD

Music by Jay Althouse

Item: 00-20068

$19.95
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Description
Return to the 60s, the golden age of pop, with this new Christmas blast from the past by Jay Althouse. Listen to the girls: "Look at him, he's standing right below the mistletoe!" Then the guys: "Here I am...waiting for her. And it may take all night!" We won't mind if there's a little flirting on stage during this number. The groovy SoudTrax CD is a classic 60s pop production, complete with sleigh bells and timpani!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081180007
SKU: 00-20068

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. His work in music publishing as a rights and licenses administrator shaped his understanding of choral repertoire across educational levels; he also served on the Executive Board of the Music Publishers Association of America during that tenure.

With over 800 choral compositions in print, Althouse has established himself as a prolific voice in choral music education. His output spans accessible works for developing ensembles to sophisticated pieces for advanced groups, all performed regularly across English-speaking countries. He holds ASCAP membership and is a consistent recipient of the ASCAP Special Award. Beyond composition, he has co-authored landmark pedagogical resources including The Complete Choral Warm-up Book and Accent on Composers, collaborated with his wife Sally K. Albrecht on children's musicals and vocal collections, and created classroom materials focused on music literacy and composer study. His choral work "I Hear America Singing," written with Albrecht, received national recognition when performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. Althouse currently serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina.

Why we love this

This piece nails the playful energy of 1960s pop without ever feeling forced or nostalgic. Althouse captures the call-and-response flirtation in a way that lets your choir have genuine fun on stage while maintaining musical integrity. The included SoundTrax CD delivers an authentic period production, complete with sleigh bells and timpani, that immediately places singers in the groove without requiring instrumental accompaniment.

What to expect

Picture the energy of a 1960s recording studio: glossy, rhythmically tight, and unapologetically fun. The piece swings with effortless pop sensibility while maintaining the innocence of a holiday romance. Sleigh bells and timpani anchor the groovy texture, creating a period-perfect production that feels both nostalgic and immediately present.

Who it's for

Mixed choirs at intermediate to advanced levels who thrive on contemporary arrangements and light-hearted repertoire. This works especially well for groups comfortable with genre-specific styles and dramatic staging. It's ideal for directors seeking Christmas concert material that engages singers and audiences equally.

How to get the most out of it

  • Lean into the theatrical setup of the dialogue between treble and lower voices. This isn't a whispered secret; the characters are performing for an audience. Encourage clear diction and confident character choices.
  • Use the recorded accompaniment to lock the groove early in rehearsals. The 60s pop rhythm and instrumentation are central to the piece's identity, not optional.
  • Shape the melodic lines with the rising and falling of the flirtation itself. When the energy peaks, let dynamics and articulation reflect that tension.
  • Balance the sleigh bells and timpani hits in the backing track with your choir's voice parts. These orchestral elements are part of the texture, not something to sing over.

How to use it

Program this as a concert highlight that bridges holiday music and pop repertoire. It pairs well with either traditional Christmas fare (as a contemporary counterpoint) or with other secular winter celebrations. Consider placing it where your choir can move or stage a simple interaction, letting the theatrical energy reset the audience's attention mid-concert.

Skills your students will build

  • Singing in a contemporary pop idiom with period-appropriate rhythmic precision
  • Dialogue and character work in choral performance
  • Rhythmic independence alongside a recorded accompaniment
  • Balancing vocal blend within a groovy, syncopated texture

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