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Bellavia: Marching Band Conductor Score & Parts

$45.00 USD
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Bellavia Cover Image

Bellavia: Marching Band Conductor Score & Parts

As Recorded by Chuck Mangione

By Chuck Mangione / arr. Doug Adams

Grade: 2 (Easy)

Item: 00-38531

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Description
Legendary jazz composer and flugelhorn player Chuck Mangione won his first Grammy Award with this tasty offering. Although an up-tempo chart, this arrangement offers a beautiful change of pace that would work perfectly in any show or other performance, on or off the field. Gorgeous! (1:48)

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Additional Details
Series: Easy Pops for Marching Band
Publisher: Alfred Music
Page Count: 122
UPC: 038081437507
SKU: 00-38531

More about this title

About the Composer: Chuck Mangione

Chuck Mangione brought jazz flugelhorn to mainstream audiences in the 1970s and 1980s, earning Grammy recognition for his warm, accessible approach to the instrument. Beyond his performing career, he has composed memorable themes and arrangements that translate beautifully across ensembles, always prioritizing melodic clarity and emotional directness over technical complexity.

Why we love this

This arrangement captures the lyrical elegance that defines Mangione's writing while remaining entirely manageable for a Grade 2 ensemble. The up-tempo character and jazz vocabulary introduce students to swing and contemporary idioms without requiring advanced harmonic reading or rhythmic precision, making it an ideal vehicle for building jazz vocabulary in marching band.

What to expect

Bellavia unfolds with the easygoing warmth of a late-night jazz club transported onto the field. The melody sits comfortably in the middle register, inviting players to find their own voice within the ensemble while the arrangement stays buoyant and forward-moving throughout its 1:48 duration.

Who it's for

This is ideal for bands wanting to explore jazz repertoire at an accessible level. It works equally well in competitive settings, pep band situations, or indoor shows where a change of pace from traditional march or military band fare is welcome.

How to get the most out of it

  • Shape the melodic line with consistent rubato and legit phrasing; resist the urge to robotically march the tune straight through.
  • Balance the solo voices and secondary lines so the principal melody remains the focus without overwhelming the ensemble sound.
  • Lock into the swing feel by emphasizing the push of the backbeat, particularly in the rhythm section.
  • Use the recorded accompaniment to lock tempos and internalize the groove before drilling individual sections.

How to use it

Program this as a palette cleanser in a set heavy on marches or traditional selections. It pairs well with other contemporary pop or jazz-influenced charts and reads especially effectively when audiences are primed for lighter, more lyrical material.

Skills your students will build

  • Reading and interpreting swing rhythm and jazz articulation
  • Balancing melody and accompaniment texture
  • Executing legit phrasing over a rhythmic groove
  • Listening to recorded accompaniment for ensemble cohesion

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