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Believer: SATB, <i>a cappella</i> Choral Octavo

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Believer: SATB, a cappella Choral Octavo

Words and music by Justin Tranter, Daniel Platzman, Benjamin McKee, Daniel Sermon, Daniel Reynolds, Robin Fredriksson, and Mattias Larsson / arr. Bryan Sharpe

Item: 00-47864

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Description
This contemporary a cappella arrangement of the Imagine Dragons megahit is a powerhouse! Strong choral ostinatos lay down a rockin' accompaniment for your hard-hitting soloist in this rhythmic arrangement that is closely derived from the original. A fully notated vocal percussion part appears in the score, and suggestions for body percussion and handclaps offer even more kick.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Believer: SATB, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
UPC: 038081548371
SKU: 00-47864

More about this title

About the Composer: Justin Tranter

Justin Tranter is a songwriter and producer who has shaped the sound of contemporary pop music across multiple decades. His work with Imagine Dragons on "Believer" exemplifies his gift for crafting hooks and melodies that resonate with global audiences while maintaining structural sophistication. As an arranger and collaborator, Tranter brings both commercial sensibility and musical craft to his compositions.

Why we love this

Bryan Sharpe's arrangement channels the raw energy of the original recording while giving your choir the tools to own it completely. The notated vocal percussion part and optional body percussion suggestions transform your singers into a full rhythm section, creating that driving rock intensity without any backing track. Your soloist gets a moment to shine against rock-solid choral support that never overshadows the lead line.

What to expect

This is propulsive, driven, and undeniably modern. The arrangement pulses with controlled intensity, built on overlapping vocal lines that create a hypnotic foundation for the featured soloist to break through. It captures the defiant, anthemic spirit of the original while proving that a cappella voices can deliver the punch of a full band.

Who it's for

This arrangement works for choirs with strong rhythmic awareness and confident singers who can lock into tight ensemble parts. High school and college choirs will thrive with the energy and contemporary style; middle school groups with solid fundamentals can also access it with careful rehearsal pacing.

How to get the most out of it

  • Lock the ostinatos early in rehearsal as a unit. Each voice part has distinct rhythmic material; isolate sections and drill rhythmic precision before layering voices together.
  • Invest rehearsal time in the vocal percussion notation. Accurate articulation and dynamic control of these parts separates a good performance from a commanding one.
  • Layer body percussion and handclaps gradually during rehearsals to build confidence. Start with the notated percussion part, then add optional elements once the choir owns the core arrangement.
  • Balance the solo voice carefully against the choral ostinatos. The soloist should project over the accompaniment without requiring the choir to pull back significantly.

How to use it

Program this in a pops or contemporary choral concert where you want to anchor a set with high-energy material. It pairs naturally with other pop arrangements in the Alfred Pop Choral Series and signals to your audience that your choir owns modern repertoire with the same musical commitment as classical works.

Skills your students will build

  • Rhythmic precision in syncopated ostinato patterns
  • Vocal percussion techniques and articulation
  • Blending and balance within a rock-influenced texture
  • Solo performance confidence against dense choral accompaniment
  • Style authenticity in contemporary pop music

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