Believe (Winter Olympics 2010) Cover Image

Believe (Winter Olympics 2010): Piano Sheet

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Believe (Winter Olympics 2010) Cover Image

Believe (Winter Olympics 2010): Piano Sheet

CTV Promotional Theme

Music by Howard Shore

Item: 00-35001

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Description
Oscar-winning Canadian composer Howard Shore's thematic contribution to the Vancouver 2010 Winter Olympic Games.

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Additional Details
Series: Original Sheet Music Edition
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7390-6966-7
ISBN13: 978-0-7390-6966-0
UPC: 038081389790
SKU: 00-35001

More about this title

About the Composer: Howard Shore

Howard Shore is a film and television composer whose work spans three decades of major studio productions and prestige projects. His ability to craft memorable thematic material and orchestral textures earned him an Academy Award for Best Original Score, and he has become known for creating music that serves both narrative and ceremonial purposes at the highest levels of production.

Why we love this

Shore's Olympic theme captures the grandeur and hope that define Winter Games opening ceremonies, making it a genuinely musical piece rather than mere atmospheric padding. For pianists seeking repertoire with cultural weight and immediate appeal, this offers an opportunity to perform music that resonates beyond the practice room.

What to expect

The piece carries an uplifting, aspirational quality that draws from its Olympic context without becoming kitsch. There is both intimacy and grandeur in Shore's thematic writing, allowing pianists to explore both the reflective and triumphant dimensions of the material.

Who it's for

Piano students and recitalists looking for contemporary repertoire with immediate musical substance. This work suits pianists comfortable reading on the grand staff with moderate technical demands but looking for pieces with cultural significance and clear emotional direction.

How to get the most out of it

  • Honor the ceremonial pacing. Resist rushing through phrases; let the melody breathe with the same dignity it carries in its original orchestral context.
  • Shape the dynamic arc across the full four pages. This piece thrives on building momentum rather than remaining at a single volume level.
  • Pay attention to how the accompaniment supports rather than competes with the main melodic line. The piano's role here is partly orchestral, so balance accordingly.

How to use it

Include this in recitals featuring film and television scores, or program it alongside other contemporary concert works to introduce audiences to Shore's compositional voice outside the cinema. It works particularly well in winter-themed recitals or programs celebrating Canadian composers.

Skills your students will build

  • Sustained melodic phrasing across longer harmonic progressions
  • Balance between melody and accompaniment textures
  • Dynamic control and shaping at the intermediate level
  • Interpretation of contemporary concert music from film sources

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