Believe (from <I>The Polar Express</I>) Cover Image

Believe (from <I>The Polar Express</I>): String Orchestra Conductor Score

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Believe (from <I>The Polar Express</I>) Cover Image

Believe (from The Polar Express): String Orchestra Conductor Score

Words and music by Glen Ballard and Alan Silvestri / arr. Michael Story

Grade: 1

Item: 00-SOM05006C

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Description
This beautiful ballad from The Polar Express makes a wonderful addition to your performance library. Even though the film's title suggests a sole relation to the holiday season, "Believe" will be a cherished addition to any program throughout the year. Combine this with "Rockin' on Top of the World" and you'll have a diverse suite for any program. (2:26)

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Additional Details
Series: Pop Beginning String Orchestra
Publisher: Alfred Music
Page Count: 8
UPC: 038081314341
SKU: 00-SOM05006C

More about this title

About the Composer: Glen Ballard

Glen Ballard is a Grammy Award-winning songwriter and producer whose work spans film, television, and popular music. He has composed and produced music for major motion pictures and collaborated with some of the industry's most recognizable artists, bringing a gift for melody and emotional directness to everything he touches.

Alan Silvestri, the co-composer of "Believe," is an accomplished film composer known for his sweeping orchestral scores. His work across multiple genres demonstrates his skill at crafting music that serves the narrative while standing on its own as memorable composition.

Why we love this

This arrangement captures the tenderness of the original without overwhelming young orchestras. The Grade 1 setting allows every section to contribute meaningfully, and the piece programs well beyond December; a ballad of this caliber strengthens any concert regardless of season.

What to expect

The piece unfolds like a quiet conversation, introspective and sincere. Warm harmonies and lyrical phrasing create a moment of reflection that stays with listeners long after the final note fades.

Who it's for

String orchestras at the Grade 1 level will find this piece both accessible and rewarding to perform. Teachers looking for repertoire that builds musicality without technical barriers will appreciate how thoroughly this arrangement engages all players.

How to get the most out of it

  • Shape the opening phrases with gentle dynamic swells rather than strict mezzo-piano attacks. Young players often play too rigidly, so model how the melody breathes.
  • Balance the inner voices carefully so they support rather than compete with the first violins. This is where orchestral texture really matters at this level.
  • Keep the tempo conversational and warm. Resist the urge to rush; let the harmonic progressions have space to resonate.
  • Use the conductor score's dynamic markings as a starting point, not a ceiling. Your ears in the room will tell you when to pull back or lean forward.

How to use it

Program this as a concert centerpiece that creates intimacy and contrast with more energetic works. It pairs naturally with lighter pop arrangements or can stand alone as a reflective interlude in a diverse program.

Skills your students will build

  • Sustained bowing and tone control in slower tempos
  • Responding to conductor-shaped phrasing and dynamic nuance
  • Balancing melody and accompaniment across string sections
  • Reading and executing the specific articulation markings of a film composition

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