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Beginning Sonatinas: Piano Book

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Beginning Sonatinas: Piano Book

Five Original Works in Varying Styles for the Early Grades

By Lynn Freeman Olson

Level: Elementary / Late Elementary

Item: 00-2497

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Description
Here are new original sonatinas that progress in difficulty. Each sonatina projects a unique style and offers an outstanding opportunity for early analysis of form and practice steps. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Beginning Sonatinas: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-2269-5
ISBN13: 978-0-7390-2269-6
UPC: 038081018614
SKU: 00-2497

More about this title

About the Composer: Lynn Freeman Olson

Lynn Freeman Olson is a prolific composer of educational piano music whose works have shaped generations of young pianists. Her ability to craft engaging, musically coherent pieces at accessible levels makes her a staple of piano pedagogy, and her compositions consistently balance artistic substance with technical appropriateness.

Olson's writing demonstrates deep understanding of what intermediate students can achieve when given clear, rewarding material. Her sonatinas and other works appear frequently in festivals and competitions, earning recognition for their structural integrity and their capacity to introduce formal concepts naturally through playing.

Why we love this

These sonatinas arrive at exactly the moment when students are ready to encounter sonata form, yet most published sonatinas at this level feel either too short to develop the concept meaningfully or too difficult technically to enjoy the learning. Olson's collection strikes the balance by grading difficulty across multiple pieces, allowing teachers to assign progressively and students to experience formal growth without frustration. The variety of styles keeps the book fresh across a full year of study.

What to expect

These sonatinas sparkle with character. Each piece has its own voice and personality, from lyrical passages that sing naturally under the hands to spirited sections that invite rhythmic energy. Students will find themselves genuinely invested in the music rather than simply executing technical patterns.

Who it's for

Elementary and late elementary piano students who are transitioning from etudes and shorter pieces to multi-section forms. Teachers looking for progressive material that introduces sonata form without demanding advanced technical facility. Festival and recital students seeking age appropriate repertoire that meets performance requirements while building music theory understanding through direct experience.

How to get the most out of it

  • Listen through each sonatina before tackling it at tempo. Notice where the contrasting themes sit and how the composer handles the return, then plan your interpretation around those landmarks.
  • Work the exposition slowly enough to hear the key relationships. Students often rush through modulations before their ears recognize what's happening harmonically.
  • Identify the structural sections on your music before you memorize. Mark the themes, the development, and the recapitulation so your performance reflects the form.

How to use it

Build a student recital around sonatinas from this collection paired with contrasting studies or pieces in different styles, allowing the sonatinas to anchor the program and demonstrate formal understanding. Assign them across the school year in progression, using the easier pieces as stepping stones for students who will eventually tackle the more complex ones. Include them in festival preparation years (2024-2028) where formal analysis and confident performance of multi-section work earn recognition.

Skills your students will build

  • Recognition and execution of sonata form (exposition, development, recapitulation)
  • Playing with structural clarity and intentional phrasing across longer works
  • Modulation and harmonic awareness through listening and playing
  • Independence of hands across multi-section pieces
  • Stylistic variety and musical interpretation

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