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Be a Light: SAB Choral Octavo

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Be a Light Cover Image

Be a Light: SAB Choral Octavo

Words and music by Joshua Miller, Matt Dragstrem, Josh Thompson, and Thomas Rhett Akins / arr. Tim Hayden

Item: 00-48819

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Description
"In a world full of hate, be a light." These words strike a meaningful chord about our power to affect change in the world. And the memorable music of this 2020 track creates a moving ballad for our times. Recorded by Thomas Rhett, Reba McEntire, Hillary Scott, Chris Tomlin, and Keith Urban, this anthem of hope holds a significant message. Highly effective in virtual or live performance! This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Be a Light: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081561431
SKU: 00-48819

More about this title

Why we love this

This arrangement captures the emotional weight of a modern anthem without requiring elaborate staging or technical demands. The SAB voicing keeps it accessible for mixed choirs of varying ability while the memorable melody ensures your singers will connect deeply with the message. Directors appreciate how effectively it works in both virtual and in-person settings, making it a reliable choice for concerts built around themes of hope and unity.

What to expect

A quiet moment of resolve that slowly builds into a declaration of purpose. The melody sits in a comfortable range and moves with intention, reflecting both the vulnerability and strength embedded in the message about being a force for good. There's an understated sophistication here that honors both the pop sensibility and the serious call to action.

Who it's for

SAB choirs seeking contemporary material with substance and accessibility. This works equally well for high school ensembles, community choirs, and church music programs looking to program meaningful secular repertoire that resonates with singers and audiences alike.

How to get the most out of it

  • Let the text drive the phrasing rather than forcing strict metric patterns. The natural speech rhythm of 'In a world full of hate, be a light' carries more impact when singers breathe with intention.
  • Balance the three parts so the melody remains clear without the altos and basses fading. This piece thrives on blend rather than blend-into-invisibility.
  • If using the recorded accompaniment, rehearse with it early to help singers internalize the groove and harmonic context, especially if your choir typically sings classical literature.
  • Build the final section gradually. Resist the urge to push volume too early; let the hope in the message grow naturally as layers add.

How to use it

Program this as a centerpiece in a concert exploring themes of social responsibility, peace, or contemporary voices in choral music. It pairs well with both art song and other modern pop arrangements, and works particularly effectively as a closer when you want to leave your audience with an inspiring, singable idea they can carry with them.

Skills your students will build

  • Singing contemporary pop idioms with authenticity
  • Blending three-part mixed voicing with clarity on the melody line
  • Sustaining emotional connection through a ballad form
  • Singing with accompaniment in a pop/rhythmic context

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