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Battle Scene: Percussion Mixed Duo & Ensemble, Sextet, Score and Parts

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Battle Scene: Percussion Mixed Duo & Ensemble, Sextet, Score and Parts

By Brian Monroe

Grade: 2

Item: 36-50605003

$7.95
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Description
An exciting work for younger performers, BATTLE SCENE uses three mallet players and three non-pitched percussionists to weave a description of an imaginary battle. Two-mallet playing is required. There is some flexibility with personnel to enable some expanded instrumentations.

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Additional Details
Series: LudwigMasters Percussion Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296763-8
ISBN13: 978-1-68-296763-8
UPC: 660355150470
SKU: 36-50605003
Instrumentation: Percussion Sextet: Orchestra Bells, Chimes, Xylophone (or Marimba), Snare Drum, Crash Cymbals/Bass Drum, Timpani/Triangle

More about this title

Why we love this

Battle Scene solves a real problem for directors building a percussion curriculum: you need repertoire that engages younger players without requiring virtuosic technique. The mixed instrumentation keeps everyone invested (non-pitched percussionists get narrative moments, not just timekeeping), and Monroe's two-mallet writing is thoughtfully scaled for developing players.

What to expect

Energetic and dramatic without complexity. The battle unfolds through contrasting textures and instrumental colors rather than harmonic sophistication, creating something theatrical that holds the audience's attention while remaining achievable for young hands.

Who it's for

Percussion ensembles in grades 5-7 or beginning high school programs. The scoring works equally well for school bands that want to feature their percussion section without pulling players from the main ensemble.

How to get the most out of it

  • Balance the mallet voices so the melodic story emerges clearly without drowning out the percussive texture. Orchestra bells and xylophone can easily wash away snare and timpani if dynamic control isn't intentional.
  • Establish a steady pulse in the timpani and bass drum parts early in rehearsal; younger ensembles often rush during excited passages, and this foundation prevents the tempo from accelerating beyond control.
  • Work the crash cymbal and triangle coordination carefully. These players need to listen actively rather than watch; mark cut-offs and prepare students for the discipline of ensemble listening.

How to use it

Program this early in a school year concert to showcase your percussion students and set an upbeat tone. It also pairs well on a festival entry that pairs it with a lighter wind piece to balance the excitement.

Skills your students will build

  • Two-mallet independence and control on pitched instruments
  • Sustained rolls and dynamic control on timpani
  • Ensemble listening and balance across mixed percussion textures
  • Coordinated ensemble starts and stops across non-pitched percussion

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