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Bass Works: String Bass Book & CD

$14.90 USD
$14.90 USD
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Bass Works Cover Image
Bass Works: String Bass Book & CD

Bass Works: String Bass Book & CD

By Tyrone Brown

Level: Intermediate / Advanced

Item: 24-BWORKS
$14.90
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Description
Bass Works is Brown's second book of original compositions and includes a companion CD of him performing all 10 pieces from the book. For this publication, he has enhanced his own legendary artistry with accompaniment by outstanding artists on piano, cello, drums ,and percussion. As with his first book, Compositions for Bass, the companion CD can be utilized as a play-along.

Brown's work has earned strong endorsements from Bass Player Magazine and the Boston Globe, in addition to such jazz greats as bassist Henry Grimes, trumpeter Cecil Bridgewater, renowned classical bass soloist Gary Karr, and Neil Courtney, assistant principal bassist of the Philadelphia Orchestra. This publication is a must for bassists, and has great listening value for other musicians as well as non-musicians.

"The inspiration behind both books was to contribute to the repertoire of material available for bass soloists. It was also my goal to compose pieces that I thought musicians might find fun and interesting to play, and to include challenging pieces to elevate their technical skills." ---Tyrone Brown

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Additional Details
Publisher: Jamey Aebersold Jazz
Page Count: 40
ISBN10: 1-56224-262-8
ISBN13: 978-1-56224-262-6
UPC: 635621501164
SKU: 24-BWORKS

More about this title

About the Author: Tyrone Brown

Tyrone Brown is a accomplished jazz bassist and composer whose work bridges classical technique and contemporary jazz sensibility. His compositions have earned recognition from leading voices in both jazz and classical music, including endorsements from Henry Grimes, Cecil Bridgewater, Gary Karr, and members of major orchestras.

Why we love this

Brown writes for the instrument with genuine knowledge of what makes bass soloists sound their best. The 10 pieces balance accessibility with real musical challenge, and the opportunity to hear them performed by Brown himself alongside professional accompanists gives students a model of tone, phrasing, and interpretive choice they can learn from directly.

What to expect

These pieces move fluidly between jazz idioms and contemporary classical sensibility, with the bass stepping into the spotlight with authority and flexibility. The accompaniments are generous and engaging without overwhelming the soloist, creating space for expressive playing.

Who it's for

Intermediate to advanced bass students and professionals looking to expand their solo repertoire with original, compositionally sophisticated material. The collection also works well for bassists preparing for auditions, recitals, or jazz performance opportunities.

How to get the most out of it

  • Study the CD performances closely before settling on your own interpretation. Notice how Brown shapes dynamics and articulation across phrases, then make deliberate choices about where you'll match his approach and where you'll develop your own voice.
  • Use the accompaniment tracks to build rhythmic confidence and learn how your part relates to the full ensemble sound. Practice first without the recording to secure your own intonation and phrasing.
  • Pay attention to the interplay between bass and the other instruments (piano, cello, drums, percussion). These pieces showcase the bass as a conversational voice, not just a supporting role.

How to use it

Program individual pieces in bass recitals or chamber concerts to showcase the range of Brown's compositional voice. The collection also serves as a resource for bass studios and jazz ensembles seeking contemporary material that respects the instrument's capabilities.

Skills your students will build

  • Navigating jazz phrasing and articulation across diverse accompaniment styles
  • Developing solo confidence with professional-level ensemble backing
  • Understanding how the bass functions as a melodic lead voice in contemporary jazz
  • Intonation and tone production in extended solo passages
  • Rhythmic precision and independence from the ensemble

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