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Basque Christmas Suite: Full Orchestra, Chorus with Ensemble, Conductor Score

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Basque Christmas Suite Cover Image

Basque Christmas Suite: Full Orchestra, Chorus with Ensemble, Conductor Score

By Francisco De Madina

Item: 36-A168201

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Description
Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a school in Cuidad de Salta. During this time, he began to develop as a composer and started to premiere his work in Buenos Aires. His primary influences included Debussy, Ravel and Prokofiev. In 1955, he moved to New York, where he founded a residence for the Lateran Canons Regular. His music began to enjoy performances in America and Spain. The Basque Christmas Suite, a short work for choir and orchestra, is characterized by short, contrasting sections and a festive, tuneful energy. Instrumentation: 2+Picc.2.2.2: 4.3.3.1: Timp.Perc(3): Hp.Clst: Str (9-8-7-6-5 in set): Mix Chor.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270216-5
ISBN13: 979-8-89-270216-4
UPC: 659359928222
SKU: 36-A168201
Instrumentation: 2+Picc.2.2.2: 4.3.3.1: Timp.Perc(3): Hp.Clst: Str (9-8-7-6-5 in set): Mix Chor

More about this title

About the Composer: Francisco De Madina

Francisco de Madina (1907-1972), known to many as Aita Madina, was a Basque-born composer and Catholic priest whose musical training in Bordeaux shaped a cosmopolitan style. After his ordination in 1929, he served parishes in Buenos Aires and directed a school in Ciudad de Salta, where he began composing and establishing himself in South American musical circles. His compositional voice drew from Debussy, Ravel, and Prokofiev, creating works that balanced modernist sophistication with accessibility.

In 1955, de Madina relocated to New York to found a residence for the Lateran Canons Regular, a move that positioned his music for wider European and American performance. Though not a household name among general audiences, his orchestral and choral works earned respect in liturgical and concert settings for their tuneful clarity and structural craft. The Basque Christmas Suite stands as an example of his gift for writing festive, community-friendly music rooted in regional tradition.

Why we love this

This score captures holiday joy without sentimentality, building energy through contrasting sections that keep both orchestra and chorus engaged. The writing sits at that ideal middle ground where a full ensemble achieves impact without technical extremes, making it accessible for conductors navigating holiday programming alongside professional ambitions.

What to expect

The music radiates warmth and celebration rooted in Basque tradition, moving through bright contrasts that feel both festive and purposeful. Short sections prevent any single idea from overstaying its welcome, creating forward momentum that keeps audiences engaged rather than settling into nostalgia.

Who it's for

Conductors leading orchestras with substantial choral resources who want holiday repertoire beyond the most frequently performed standards. This score works for music directors at universities, community orchestras, and larger church ensembles seeking a work that showcases both instrumental and vocal strength without requiring soloists.

How to get the most out of it

  • Balance the choral sound against the full orchestra by ensuring your string section avoids overwhelming the mixed voices during sustained passages; treat the chorus as a primary voice, not accompaniment.
  • The festive character depends on rhythmic clarity and articulation. Establish a steady pulse with your percussion and harp early in rehearsal so sections can lock together without rushing through the contrasting tempi.
  • Mark cue points in the orchestral parts well in advance. With three percussionists and multiple divisi in the strings, clear sightlines and precise conducting saves rehearsal time during holiday schedules.
  • Invest time in diction and vowel consistency across your chorus sections. The tuneful melodies deserve clear text projection, especially in shorter sections where musical phrases move quickly.

How to use it

Position this as a centerpiece for a holiday concert that pairs orchestral color with choral warmth, especially effective when surrounded by shorter works from different traditions. The suite's self-contained character and moderate length make it ideal for programming alongside a baroque work and a contemporary piece in the same concert, giving your community orchestra visibility for range and skill.

Skills your students will build

  • Balancing choral sound within full orchestration
  • Maintaining rhythmic precision across contrasting sections
  • Ensemble coordination between multiple independent lines in strings and winds
  • Quick sectional transitions and tempo changes
  • Reading complex instrumental doublings and cue structures

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