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Basic Fiddlers Philharmonic: Celtic Fiddle Tunes: CD

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Basic Fiddlers Philharmonic: Celtic Fiddle Tunes Cover Image

Basic Fiddlers Philharmonic: Celtic Fiddle Tunes: CD

By Bob Phillips and Andrew H. Dabczynski

Item: 00-33404

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Description
New from the Philharmonic series, this collection is an absolutely perfect way to introduce Celtic fiddling to your youngest string players! Eleven tunes from the Celtic fiddling tradition are presented first in a simplified, very easy "Basic" version of the tune printed with note names in the note heads. The tune is also presented in an "Advanced," but still accessible version of the tune. Lyrics are included where applicable. The optional accompaniment CD features recordings of the Basic and the Advanced tune as well as a back-up track for play-along at home or in class.

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Additional Details
Series: Philharmonic Series
Publisher: Alfred Music
ISBN10: 0-7390-6243-3
ISBN13: 978-0-7390-6243-2
UPC: 038081372150
SKU: 00-33404

More about this title

About the Composer: Bob Phillips

Bob Phillips

Bob Phillips (b. 1953) is a composer, pedagogue, and conductor who has fundamentally shaped how string students encounter world music styles. Over nearly three decades directing the Saline string program in Michigan, he built an ensemble of over 700 students and founded the Saline Fiddlers Philharmonic, a folk-fiddling ensemble that performed internationally and at the White House. His teaching innovations and more than 200 published works have established him as a leading voice in eclectic string education.

Phillips has authored six levels of the Sound Innovations series and pioneered multiple style-focused collections including the Philharmonic series (Jazz, Rock, Mariachi, Latin, and Fiddle and Song). His arrangements and original compositions appear regularly at the Midwest Clinic, and his instructional DVDs have reached thousands of classrooms. He has served as resident conductor for the Wintergrass Festival in Seattle and guest conducted at state and all-state honors orchestras across the country.

Why we love this

This collection opens Celtic fiddling to string players who are just beginning to engage with ornamentation, articulation, and stylistic phrasing beyond classical technique. The dual-version structure lets students build confidence with simplified note-names before tackling the richer voicings and rhythmic nuance of the advanced arrangement, making progression feel natural rather than intimidating. The accompaniment CD transforms solo practice into ensemble experience, giving young fiddlers the rhythmic anchor they need to develop authentic feel.

What to expect

These tunes carry the rhythmic energy and melodic shapeliness of Irish and Scottish fiddling, with flowing lines that feel both familiar and novel to classically trained ears. The simplified Basic versions let students experience the joy of the tunes unencumbered, while the Advanced arrangements add harmonic color and ornamentation that reward closer listening and more refined technique.

Who it's for

This collection is built for young string orchestras and classroom ensembles encountering folk music traditions for the first time. It works equally well in elementary or middle school settings where students need an accessible entry point into a new style, and in community or after-school programs introducing students to fiddle culture.

How to get the most out of it

  • Play the Basic version first in full ensemble to establish the melody and harmonic framework, then gradually introduce the Advanced arrangement once students anchor the tune in their ears.
  • Use the backup track during sectional rehearsals to allow each part to lock into the Celtic rhythm and phrasing independently before combining with the full group.
  • Pay attention to the swing and lift in the rhythmic feel; Celtic fiddling relies on subtle articulation and bow lift that won't happen naturally from classical training alone. Model and isolate these gestures in short phrases.
  • Layer in the recorded Basic and Advanced versions as listening examples before students play them, so they hear where ornamentation enters and how the tune evolves.

How to use it

Program a performance pairing the Basic and Advanced versions back-to-back to show audiences how the same tune grows with deeper arrangement, or incorporate individual tunes into a world music concert alongside other multicultural repertoire. These work equally well as a multi-week unit focused on Celtic music traditions, building ear training and cultural context alongside playing.

Skills your students will build

  • Reading note names within note heads (Basic version)
  • Identifying and executing stylistic ornamentation specific to Celtic fiddle traditions
  • Recognizing swing and rhythmic lift in folk music versus classical phrasing
  • Playing within ensemble context using accompaniment tracks for rhythmic anchor
  • Transitioning from simplified to more complex arrangements of the same material

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