Barocca Cover Image

Barocca: String Orchestra Conductor Score

$9.00 USD
Sale price  $9.00 USD Regular price 
Skip to product information
Barocca Cover Image

Barocca: String Orchestra Conductor Score

By Shirl Jae Atwell

Grade: 2

Item: 36-52255218

$9.00
Shipped

One moment…

Description
In E minor, this lively piece mirrors Baroque period rhythms and textures. First violins will go to 3rd position, and basses are featured in the B section with a walking pizzicato bassline.

Barocca: String Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
Page Count: 12
ISBN10: 1-62-876386-8
ISBN13: 978-1-62-876386-7
UPC: 746241296481
SKU: 36-52255218
Instrumentation: String Orchestra

More about this title

About the Composer: Shirl Jae Atwell

Shirl Jae Atwell

Shirl Jae Atwell completed undergraduate studies at Kansas State Teachers College before earning a Master of Music Theory and Composition degree from the University of Louisville. She then pursued four years of advanced composition study at the University of South Carolina, establishing herself as a prolific composer across multiple genres.

Atwell's achievements span opera, ballet, and orchestral works. Her compositions have earned recognition including the 1984 Clifford Shaw Memorial Award for Kentucky Composers, a 1996 National School Orchestra Association composition contest win, and a 1997 Texas Orchestra Directors Association prize. Her ballet Lucy, featuring her music and choreography by Alun Jones, received an Emmy Award from the Ohio Valley Chapter of the National Academy of Television Arts and Sciences in 2000. Six of her scores are held in the permanent collection of the Paris Bibliothèque Internationale de Musique Contemporaine.

Why we love this

Atwell writes idiomatically for young string orchestras without oversimplifying the musical content. The Baroque textures and walking bass line give students a genuine taste of period style while the accessible Grade 2 level keeps the technical demands reasonable for developing musicians.

What to expect

Barocca captures the rhythmic energy and textural clarity of the Baroque period without the complexity of authentic historical arrangements. The piece dances with period-appropriate brightness, and the walking bass in the B section adds harmonic sophistication that feels organic rather than forced for this level.

Who it's for

String orchestra directors teaching Grade 2 ensembles who want to introduce Baroque style and idiom through a lively, accessible piece. Conductors can also use this as a stepping stone for students preparing for higher-level Baroque repertoire, since it features position work and pizzicato technique in a supportive musical context.

How to get the most out of it

  • Isolate the first violin section work in third position during rehearsal so players can establish comfort and accuracy before running the full piece.
  • Shape the pizzicato bassline with clear articulation and rhythmic precision; it's the harmonic anchor of the B section and deserves focused ensemble listening.
  • Conduct the Baroque rhythms with period-appropriate phrasing; avoid modern smoothness and let the dance-like character emerge through slightly detached note endings.
  • Balance the upper strings so the bass pizzicato registers clearly without losing the melodic line above it.

How to use it

Program this as a lighter middle-concert selection to showcase your ensemble's technical growth and stylistic range. It pairs well alongside Renaissance or contemporary pieces to build a concert theme around period styles or orchestral textures.

Skills your students will build

  • Playing in third position on violin
  • Executing pizzicato technique in ensemble context
  • Reading and performing Baroque rhythmic patterns
  • Balancing melody and accompaniment within period-style textures
  • Maintaining ensemble precision in walking bass accompaniment

You May Also Like