Barcarolle from "The Tales of Hoffman": Full Orchestra Conductor Score & Parts
By Jacques Offenbach / arr. Richard Meyer
Grade: 1
Item: 00-PK-0000311
$55.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
Parts Added to Cart!
Related Items
Barcarolle (from The Tales of Hoffman): String Orchestra Conductor Score & Parts |
$46.00
|
View | |
Barcarolle (from The Tales of Hoffman): Full Orchestra Conductor Score & Parts |
$53.00
|
View | |
Barcarolle (from The Tales of Hoffman): Full Orchestra Conductor Score |
$7.00
|
View | |
Barcarolle (from The Tales of Hoffman): String Orchestra Conductor Score & Parts |
$46.00
|
View | |
Barcarolle (from The Tales of Hoffman): String Orchestra Conductor Score |
$6.00
|
View |
Description
Offenbach's famous melody is passed throughout the orchestra in this charming treatment of the original. Great for developing sensitivity, balance and listening skills.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Barcarolle from "The Tales of Hoffman": Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
Open in the Player
Jump straight in and assign it today.
Start Your Free Trial
Open this title and explore the full library in minutes.
Sample Audio
1
Audio File
--:--
0:00
0:00
Sample Video
No sample videos found.
Additional Details
Series:
Highland/Etling First Philharmonic
Publisher:
Alfred Music
Page Count:
102
SKU:
00-PK-0000311
More about this title
About the Composer: Jacques Offenbach
Jacques Offenbach (1819-1880) was a German-born French composer who revolutionized operetta in the 19th century. His witty, accessible melodies and gift for orchestration made operetta a defining art form of the Second Empire, and his works remain staples of orchestral programming today.
Offenbach's genius lay in crafting memorable tunes that worked equally well in theatrical settings and concert halls. The Barcarolle from "The Tales of Hoffman" exemplifies his melodic gift, a piece so singable and elegant that it transcends its operatic origins to become a vehicle for teaching orchestration and ensemble balance.
Why we love this
This arrangement opens the door to ensemble sensitivity without demanding technical fireworks. Richard Meyer's scoring passes the melody through different instrumental colors, giving every section the chance to lead while others listen and support, making it an ideal teaching tool for young orchestras learning how to balance transparency with fullness.
What to expect
A Venetian gondola gliding smoothly through calm water. The music floats with a gentle, undulating rhythm, warm and lyrical, with an air of timeless elegance. It's music that breathes naturally and invites the listener to settle in for a moment of pure melodic beauty.
Who it's for
Grade 1 orchestras building foundational ensemble skills. This piece works for festival and contest settings where young musicians need meaningful music that develops musicianship without overwhelming technical demands.
How to get the most out of it
- Shape the melody with a singing tone regardless of which section carries it. The Barcarolle character depends on lyrical phrasing, not virtuosity.
- Balance the accompaniment carefully so that inner voices support without masking the primary line. This requires active listening from players who aren't featured.
- Maintain the rocking, gentle motion of the barcarolle rhythm throughout. Think of water lapping steadily rather than pushing forward.
How to use it
Position this as an opening or lighter moment in a concert, where its accessibility and charm will engage the audience while showcasing your ensemble's growing maturity. It pairs well on programs that mix lighter concert pieces with more substantial works, giving conductors a chance to demonstrate different facets of their orchestra's musicianship.
Skills your students will build
- Balancing melody and accompaniment across instrument families
- Sustaining even, flowing accompaniment patterns while maintaining musical shape
- Listening to and following melodic lines passing between sections
- Playing with legit, singing tone quality appropriate to Romantic-era orchestration
- Responding to conductor cues for dynamic and textural shifts