Ballade, Op. 288 Cover Image

Ballade, Op. 288: Flute, Solo with Piano, Solo and Piano

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Ballade, Op. 288 Cover Image

Ballade, Op. 288: Flute, Solo with Piano, Solo and Piano

By Carl Reinecke, ed. Dan Rager

Grade: 5

Item: 36-10410540

$8.95
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Description
Featuring melodies that are somber and hauntingly beautiful juxtaposed with joy and playfulness, this selection for solo flute and piano is an excellent showcase piece for a variety of audiences.

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Additional Details
Series: LudwigMasters Woodwind Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361536-7
ISBN13: 978-1-63-361536-6
UPC: 660355102578
SKU: 36-10410540
Instrumentation: Flute and Piano

More about this title

Why we love this

The emotional range here is genuine, not manufactured. A flute soloist gets to explore real darkness and real brightness within a single piece, which demands honest playing and builds maturity fast.

What to expect

The piece moves between introspection and lighter, more carefree moments, creating a narrative arc that feels almost conversational. You're not dwelling in sadness or celebrating mindlessly; instead, you're moving through different emotional territories with intention and honesty.

Who it's for

Flute students at the intermediate-advanced level who are ready to tackle emotional complexity and demonstrate musicianship beyond technical facility. This works equally well for a student preparing solo repertoire for competitions or as a showcase piece for a spring recital.

How to get the most out of it

  • Shape the somber passages with a warm, centered tone that doesn't rush through the melancholy; let the piano's harmonic movement support your phrasing rather than fight against it.
  • In the playful sections, use subtle articulation and dynamic lift to create character without losing the legit musicality that makes those moments land.
  • Record yourself against the piano part early. The contrasts are stark enough that you need to hear how your interpretive choices sit with the accompaniment's weight.

How to use it

Pair this with lighter chamber works or a group performance to showcase the full spectrum of what your advanced students can do. It also serves as an excellent solo feature in a mixed recital where you need something substantial but not orchestral.

Skills your students will build

  • Sustaining lyrical lines with consistent tone quality across dynamic changes
  • Navigating emotional shifts and contrasting character within a single piece
  • Balancing independence as a soloist with listening carefully to collaborative accompaniment
  • Expressive phrasing without sacrificing technical control
  • Building stamina for a full-length solo work

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