Ballad in Blue: In memoriam Morton Gould Cover Image

Ballad in Blue: In memoriam Morton Gould: String Orchestra, Conductor Score

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Ballad in Blue: In memoriam Morton Gould Cover Image

Ballad in Blue: In memoriam Morton Gould: String Orchestra, Conductor Score

By John Ferritto

Item: 36-BSMSO100FS

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Description
A valuable addition to the concert literature which is also an excellent teaching vehicle: introduces various Musical elements including the study of triplets and accessible contemporary harmonies. There is an optional third violin part included. Grade 2.5 - 3.

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Additional Details
Series: Black Squirrel Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270796-5
ISBN13: 979-8-89-270796-1
UPC: 659859158563
SKU: 36-BSMSO100FS
Instrumentation: String Orchestra (8.8.5.5.5)

More about this title

Why we love this

Ferritto writes string writing that sounds assured and idiomatic without asking your players to overreach. The piece achieves genuine expressive depth at a grade level where many works settle for surface charm, and the memorial context gives conductors something real to communicate to their students about why this music matters.

What to expect

Reflective and lyrical, with an underlying current of respect and remembrance. The harmonies feel modern yet approachable, creating an introspective sound that lingers without requiring virtuosity to communicate depth.

Who it's for

Developing string orchestras at the middle school level or early high school ensembles seeking repertoire that combines technical growth with genuine musicality. Directors who want students to experience that a concert piece can be both instructional and moving.

How to get the most out of it

  • Shape the triplet figures as a natural rhythmic subdivision rather than an ornamental flourish; they should feel like part of the pulse, not added complexity.
  • Balance the optional third violin part by ear during rehearsals. It enriches texture without overwhelming the main voices, but only if the section has secure intonation on the principal parts first.
  • Let the contemporary harmonies breathe. Younger orchestras sometimes rush through unfamiliar chord qualities; a slightly spacious tempo emphasizes the emotional content Ferritto built in.

How to use it

Program this as a centerpiece for a concert focused on American composers, or pair it with another contemporary work to show students the range of voices writing for strings today. Its elegiac character also makes it fitting for tribute or memorial programs.

Skills your students will build

  • Reading and executing triplet rhythms in an ensemble context
  • Interpreting contemporary harmonic language and voice leading
  • Sustaining expressive phrasing across extended melodic lines
  • Balancing optional divisi parts with clear intonation

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