Back Home Again in Indiana Cover Image

Back Home Again in Indiana: Concert Band Conductor Score

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Back Home Again in Indiana Cover Image

Back Home Again in Indiana: Concert Band Conductor Score

Band with Optional Vocal Solo

By James F. Hanley / arr. Jeremy S. Martin

Grade: 3

Item: 36-50105341

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Description
Back Home Again in Indiana by James F. Hanley has become a jazz standard over the years and is the perfect vehicle for your band's vocal soloist. It may be played without the vocalist if you wish, with no cuts or substitutions necessary. (3:00)

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Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270306-4
ISBN13: 979-8-89-270306-2
UPC: 659359602917
SKU: 36-50105341
Instrumentation: Concert Band with optional Vocal Solo

More about this title

About the Composer: James F. Hanley

James F. Hanley (1892-1942) was an American composer and songwriter who worked prolifically in theater and popular music during the 1920s and 1930s. Though he composed hundreds of songs and instrumental pieces, his greatest legacy rests on a handful of enduring standards, including "Back Home Again in Indiana," which he wrote in 1917.

Hanley's gift for memorable melody and straightforward harmonic language made his work accessible to both professional musicians and amateurs. His compositions remain valuable teaching and performance material for young ensembles because they balance musicianship with broad appeal.

Why we love this

Jeremy Martin's arrangement gives your band a showcase for a featured vocalist without demanding technical complexity from the ensemble itself. The Grade 3 scoring stays supportive of the solo line, making this ideal for programs that need a moment of warmth and storytelling alongside your more challenging concert works. It's a vehicle that works equally well with or without a singer, giving you genuine programming flexibility.

What to expect

Nostalgic and warmly sentimental, this arrangement captures the character of a classic American standard. The band accompaniment has an easy-going, supportive quality that lets the familiar melody shine with understated elegance.

Who it's for

This score is for concert band directors who have a capable vocalist available and want accessible repertoire that gives a soloist meaningful stage time without stretching the band's technical resources. It also serves ensembles seeking a traditional crowd-pleaser that audiences recognize and enjoy, played at a level that doesn't demand advanced musicianship from every section.

How to get the most out of it

  • Balance the accompaniment so the vocal soloist projects clearly without the band overwhelming the lyrical line; this arrangement rewards transparent orchestration.
  • Shape phrases in the band parts with the vocalist's breathing and phrasing in mind, treating the ensemble as a cohesive backup unit rather than independent voices.
  • If performing without a vocalist, bring out the melodic content in the principal parts while maintaining the song's gentle, reflective character.
  • Let the familiar tune breathe; resist the urge to rush despite its accessible nature.

How to use it

Program this in the second half of a concert to provide contrast after more demanding or modern works, or as a closing encore that sends audiences home humming. It pairs naturally with other Americana-inflected pieces or can serve as a bridge between a classical set and lighter concert fare.

Skills your students will build

  • Accompanying a soloist while maintaining ensemble unity
  • Balancing band dynamics to support rather than compete with a featured voice
  • Reading and performing Grade 3 concert band literature
  • Interpreting lyrical, song-like phrasing in instrumental contexts

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