Back Home Again in Indiana Cover Image

Back Home Again in Indiana: Concert Band Conductor Score & Parts

$60.00 USD
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Back Home Again in Indiana Cover Image

Back Home Again in Indiana: Concert Band Conductor Score & Parts

Band with Optional Vocal Solo

By James F. Hanley / arr. Jeremy S. Martin

Grade: 3

Item: 36-50100341

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Description
Back Home Again in Indiana by James F. Hanley has become a jazz standard over the years and is the perfect vehicle for your band's vocal soloist. It may be played without the vocalist if you wish, with no cuts or substitutions necessary. (3:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Back Home Again in Indiana: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
UPC: 659359833182
SKU: 36-50100341
Instrumentation: Concert Band with optional Vocal Solo

More about this title

About the Composer: James F. Hanley

James F. Hanley (1892-1942) was a prolific American composer and songwriter who bridged popular and theatrical music in the early twentieth century. His gift for memorable melody and accessible harmony made him a fixture in both vaudeville and Broadway, and his songs proved enduringly popular across generations of performers and ensembles.

Why we love this

Jeremy Martin's arrangement captures the melodic charm of this jazz standard while keeping the orchestration transparent enough that a vocalist can shine without overwhelming the band. The flexibility to perform with or without a soloist makes this a genuinely practical choice for programming, especially when your vocalist roster varies from year to year.

What to expect

Nostalgic and warmly Americana, with the buoyant spirit of early jazz standards. The piece invites a conversational mood between soloist and band, full of friendly energy and the kind of melody that audiences hum on the way out of the concert hall.

Who it's for

Concert bands seeking accessible repertoire that engages soloists while remaining musically satisfying for the full ensemble. Directors working with Grade 3 groups who want a recognizable tune that appeals to audiences and builds ensemble culture around featured performers.

How to get the most out of it

  • Balance the solo voice carefully; the band should support rather than compete. Use the dynamic markings to shape the accompaniment so the vocalist remains the clear focal point.
  • Establish a relaxed, lilting swing feel rather than marching precision. The jazz heritage of this tune calls for flexible phrasing and conversational ease.
  • If performing without a vocalist, ensure the band sections that carry the melody line phrase with warmth and lyrical intention, treating those passages as singing voices.

How to use it

Pair this with other Americana selections for a patriotic or Americana-themed concert, or use it as a lighter moment between more substantial works to maintain audience engagement. The optional vocal feature makes it ideal for showcasing individual musicians and building school-community connections when performed with a student, faculty, or guest vocalist.

Skills your students will build

  • Supporting and balancing a featured soloist
  • Playing with swing articulation and jazz feel
  • Reading Grade 3 concert band parts with clear voicing
  • Flexible phrasing and responding to a vocalist's tempo and interpretation

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