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Baba Yetu: SoundTrax Digital Audio Download

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Baba Yetu Cover Image

Baba Yetu: SoundTrax Digital Audio Download

From the Video Game Civilization IV

Music by Christopher Tin, Swahili adaptation of "The Lord's Prayer" by Chris Kiagiri

Item: 00-A-00014946

$27.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00014946

More about this title

About the Composer: Christopher Tin

Christopher Tin

Christopher Tin earned dual degrees in music composition from Stanford and Oxford, then continued his studies at London's Royal College of Music on a Fulbright Scholarship, where he graduated with distinction and won the Horovitz Composition Prize. His work spans film, television, video games, and advertising; his debut album Calling All Dawns won two Grammy Awards, including Best Classical Crossover Album and Best Instrumental Arrangement Accompanying Vocalists for "Baba Yetu."

Tin's compositional voice reflects his multicultural upbringing: born in California to Chinese parents and educated in England, his music combines memorable melodic writing with dramatic flourishes and global musical influences. His compositions have been performed by major orchestras including the National Symphony Orchestra and Hollywood Bowl Orchestra, and his sheet music has reached hundreds of amateur choirs worldwide. Beyond concert work, he has composed for video game soundtracks (Civilization IV, Pirates of the Caribbean Online) and contributed to Hollywood films including X2: X-Men United and Lilo and Stitch 2.

Why we love this

"Baba Yetu" is the rare piece that moves singers and audiences alike with genuine emotional weight. The melody is unforgettable, the harmonic language accessible yet sophisticated, and the spiritual character of the text gives your choir a moment of real meaning within a concert program.

What to expect

Soaring and contemplative, with the warmth of a hymn and the rhythmic vitality of world music traditions. The melody unfolds like a prayer set to an irresistible groove, creating a sense of peace that builds into something transcendent.

Who it's for

Choirs looking for a piece that transcends the typical concert repertoire and speaks to themes of spirituality and global connection. The vocal writing is accessible to high school choirs and above, and the emotional resonance makes it equally meaningful for college, community, and professional ensembles.

How to get the most out of it

  • Lean into the African vocal idiom and rhythmic feel. The recorded accompaniment grounds the tempo and pulse; let it guide your choir toward a more relaxed, grounded approach than you might take with European classical repertoire.
  • Balance the soprano and alto lines carefully in the harmonic passages. Tin's voicing is lean and transparent; every part carries melodic weight, so resist the urge to let any voice disappear into the background.
  • Articulate the text with intention. The Swahili language sits differently in the mouth than English; practice the pronunciation as a group so the words land with clarity and the choir sings as one voice rather than a collection of individuals.

How to use it

Program this as the emotional centerpiece of a concert exploring spirituality, social responsibility, or global cultures. Its crossover appeal makes it an effective bridge between classical and popular programming, and it pairs beautifully with other world music or sacred repertoire.

Skills your students will build

  • Singing in Swahili with authentic pronunciation and rhythm
  • Balancing transparent four-part harmony where every line carries melodic interest
  • Accessing vocal warmth and sustain within a world music idiom
  • Responding to recorded accompaniment and world music grooves

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