Away in a Manger: Three settings of a traditional Carol Cover Image

Away in a Manger: Three settings of a traditional Carol: String Orchestra Conductor Score

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Away in a Manger: Three settings of a traditional Carol Cover Image

Away in a Manger: Three settings of a traditional Carol: String Orchestra Conductor Score

By Traditional/ Folk, ed./arr. Paul Ousley

Item: 36-50255265

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Description
The 19th century American lyricist of Away in a Manger remains anonymous even though two different composers set it to music following the American Civil War. The two melodies are woven together in contemporary harmony in this colorful tapestry. A solo violin (or flute) part unifies them, with an added original tune as all three move throughout the orchestra.

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Additional Details
Series: LudwigMasters Holiday Music for Strings
Publisher: LudwigMasters
UPC: 604634460775
SKU: 36-50255265
Instrumentation: String Orchestra

More about this title

Why we love this

Ousley solves the programming challenge of presenting familiar Christmas music without retreating into tired arrangements. By braiding two historical melodies together and adding an original tune, he creates something that feels both reverent and fresh, giving your orchestra real musical material to sink their teeth into rather than a simplified carol reduction.

What to expect

A hymn reimagined through a contemporary lens. The familiar devotional warmth of the carol remains, but Ousley's harmonic language adds depth and color, creating moments of gentle surprise as the three melodies shift and interact. The added solo line floats above like reflection or prayer.

Who it's for

String orchestras at the intermediate level (Grade 3) who want holiday programming with substance. Directors seeking an arrangement that respects the carol's heritage while offering their musicians something compositionally interesting will find real value here.

How to get the most out of it

  • Balance the solo violin (or flute) line carefully; it functions as a structural anchor weaving the three melodies, so it must sing through the texture without overshadowing the harmonic foundation.
  • Rehearse the string sections independently first to secure the individual melodic lines before layering them together; contemporary harmony can obscure traditional tunes without clear sectional preparation.
  • Pay attention to dynamic shape within phrases rather than holding a single level; the interplay of three melodies benefits from subtle terracing that highlights which tune is leading at any moment.

How to use it

This arrangement works beautifully as a centerpiece for a holiday concert, offering enough musical substance to stand alongside secular seasonal works without diminishing the spiritual quality many ensembles seek. It's also well-suited for community performances or school concerts where you want to honor tradition while showcasing your orchestra's developing musicality.

Skills your students will build

  • Playing multiple melodic lines simultaneously while maintaining clarity and independence
  • Balancing ensemble texture when different melodic material occupies similar registers
  • Interpreting contemporary harmonic language in service of a traditional melody
  • Listening for and supporting a featured solo line within the full ensemble context

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