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Ave Maria: 6 Flutes Score & Parts

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Ave Maria Cover Image

Ave Maria: 6 Flutes Score & Parts

By Charles Gounod / arr. David Marlatt

Level: Medium

Item: 81-F18128

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Description
This "Ave Maria" was originally named "Meditation" by the composer Charles Gounod (1818-1893). He wrote this famous melody to the accompaniment of the first prelude of The Well-Tempered Clavier by Johann Sebastian Bach.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-565-4
ISBN13: 978-1-77157-565-2
UPC: 685462025664
SKU: 81-F18128

More about this title

About the Composer: Charles Gounod

Charles Gounod (1818-1893) was a French composer whose gift for memorable melody and orchestral color made him one of the most performed composers of the 19th century. Beyond his grand operas, Gounod excelled at creating sacred and secular vocal music that balanced accessibility with genuine artistic depth, a quality that made his works endure in concert halls and churches alike.

Gounod's "Ave Maria" demonstrates his mastery of adaptation and spiritual expression. By layering his own soaring melody over Bach's Prelude in C Major from The Well-Tempered Clavier, he created a work that honors two musical traditions at once: the architectural perfection of Baroque counterpoint and the soaring lyricism of Romantic melody. This hybrid approach reveals his belief that great music could communicate across centuries and styles.

Why we love this

This arrangement brings one of the repertoire's most beloved melodies within reach of intermediate flute ensembles, preserving the work's spiritual warmth while offering genuine musical substance. The interplay of voices in a flute sextet texture showcases Gounod's original melody in fresh ways, with each player contributing to both the harmonic foundation and the emotional arc. Programming this piece signals both accessibility and artistic refinement to your audience.

What to expect

Serene and luminous, with the radiance of the familiar melody supported by the steady harmonic foundation of Bach's baroque design. The flute timbre brings an ethereal quality to Gounod's lyrical gift, creating a contemplative sound world that feels both intimate and expansive.

Who it's for

Intermediate flute ensembles seeking sacred or crossover repertoire that avoids cliché and delivers genuine musical reward. This arrangement suits community bands, church music programs, and school flute choirs ready to move beyond unison or simple harmony parts while staying grounded in a melody students already know and love.

How to get the most out of it

  • Balance the primary voice carrying the melody with supporting voices, ensuring the Bach-derived accompaniment remains audible but subordinate; this interplay between foreground and background defines the arrangement's character.
  • Shape the phrasing as you would a vocal performance, observing natural breath points and allowing the melody to breathe rather than rushing through scalar passages.
  • Blend carefully across the sextet to achieve unified tone color; slight dynamic adjustments within each part help voices sit naturally together while maintaining clarity of line.
  • Attend to intonation at phrase endings and on sustained tones, where even small pitch drift becomes noticeable in the harmonic structure derived from Bach's original.

How to use it

This work fits naturally into secular concerts seeking a moment of reflection, or into sacred and memorial programs where its reverent character serves without heaviness. It also pairs well with other Romantic-era instrumental arrangements, offering a bridge between classical form and 19th-century melodic sensibility.

Skills your students will build

  • Playing lyrical, sustained phrases with clear harmonic intention
  • Balancing multiple simultaneous melodic lines in an ensemble texture
  • Intonation control across longer sustained tones and chord changes
  • Blend and balance within a homogeneous woodwind ensemble

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