Aux Etoiles: Full Orchestra, Conductor Score

$15.00 USD

Aux Etoiles: Full Orchestra, Conductor Score

Name: Aux Etoiles: Full Orchestra, Conductor Score
Brand: Alfred Music
SKU: 36-A610001
Price: 15.00 USD
Availability: InStock

By Henri Duparc

Item: 36-A610001

$15.00

Shipped

One moment…

AUX ÉTOILES (TO THE STARS), composed in 1874, is a short poem for orchestra by French composer Henri Duparc (1848-1933). He originally intended it for a three-movement work titled Poéme nocturne. Highly self-critical and suffering from a mental illness, Duparc later destroyed the latter two movements. He revised the piece in 1911. Instrumentation: 2.2.2.2: 2.0.0.0: Str (9.8.7.6.5 in set).

Aux Etoiles: Full Orchestra, Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.

No sample pages found.

No sample audio found.

No sample videos found.

Series: Kalmus Orchestra Library

Publisher: Keiser Productions, Inc.

ISBN10: 8-89-563195-1

ISBN13: 979-8-89-563195-9

UPC: 659859119571

SKU: 36-A610001

Instrumentation: 2.2.2.2: 2.0.0.0: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Henri Duparc

Henri Duparc (1848-1933) stands as one of French Romanticism's most intriguing voices, a composer whose output was deliberately limited by his own exacting standards. Though he composed primarily in the 1870s before withdrawing almost entirely from composition, his works demonstrate the harmonic sophistication and lyrical refinement that defined the French art song tradition and orchestral writing of his era.

Duparc's life was marked by profound internal struggle. Plagued by chronic illness and deep self-doubt about his compositions, he famously destroyed many of his works, viewing them as inadequate. This perfectionism shaped his legacy: his surviving pieces, though few, carry the weight of careful intention. Aux Étoiles exemplifies his approach, originally conceived as part of a larger nocturne before he revised it decades later, distilling the work to its essential poetic core.

Show moreShow less

Why we love this

Duparc's orchestration balances delicacy with depth; this short work demands refined ensemble control and rewards conductors who shape the harmonic progression with patience and clarity. The piece fits elegantly into programming that seeks to showcase Romantic orchestration beyond the usual German and Italian canon, and its modest demands allow orchestras of various sizes to achieve genuine musical sophistication.

What to expect

Aux Étoiles unfolds like a night sky gradually revealing itself to the listener. The work glows with subtle harmonic color and a sustained, contemplative quality that feels both intimate and expansive, inviting the listener into a private moment of stargazing rather than public spectacle.

Who it's for

Conductors seeking to expand their orchestra's engagement with French Romantic repertoire will find a work of genuine beauty and manageable scope. This piece suits orchestras at the intermediate to advanced level who have developed the textural sensitivity and intonation control that Duparc's refined orchestration demands.

How to get the most out of it

Shape the melodic line through the strings with a singing, unforced tone; Duparc's orchestration relies on sustained lyricism rather than dramatic gesture
Balance the woodwind doublings carefully so they enhance rather than obscure the string texture
Allow tempo flexibility to serve the harmonic movement; let the music breathe at cadential moments without losing forward motion
Attend to the 1911 revision in performance choices, recognizing that Duparc's later revisions reflect his mature aesthetic preferences

How to use it

This work pairs beautifully in a concert exploring late 19th-century European orchestral song, sitting comfortably alongside works by Berlioz or Fauré. Its brevity makes it ideal as a concert opener that establishes an introspective, lyrical tone, or as a contrasting piece in a program that otherwise emphasizes dramatic or virtuosic works.