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Authentic Jazz Play-Along: It Don't Mean a Thing: Trumpet Book & CD

$16.99 USD
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Authentic Jazz Play-Along: It Don't Mean a Thing Cover Image

Authentic Jazz Play-Along: It Don't Mean a Thing: Trumpet Book & CD

10 Jazz Standards

Ed. Andy Hampton

Level: Intermediate

Item: 12-0571527426

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Description
The Authentic Jazz Play-Along series brings together Gershwin, Porter, Ellington, and other legends of 20th-century jazz, giving musicians the opportunity to learn classic jazz songs, then play along with a CD featuring professionally recorded backing tracks. It's a great way to strengthen your skills as a player!

It Don't Mean a Thing features 10 absolute classics of the jazz repertoire, idiomatically arranged for the intermediate (Grade 4-6) player. Melody, lyrics, and chord symbols are provided, offering opportunity to aid the beginner. In addition, the play-along CD comprises a live trio of piano, bass, and drums for truly authentic performance.

Titles: Blues in the Night * Embraceable You * It Don't Mean a Thing * My Funny Valentine * Love Is Here to Stay * Summertime * Someone to Watch Over Me * I've Got You Under My Skin * How High the Moon * I Get a Kick Out of You.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
Page Count: 32
ISBN10: 0-571-52742-6
ISBN13: 978-0-571-52742-7
UPC: 9780571527427
SKU: 12-0571527426
Instrumentation: Trumpet

More about this title

Why we love this

The backing tracks on this CD sound like a real jazz trio, not a synthesized approximation. Your students hear what authentic swing feels like, then learn to phrase and breathe the way working jazz musicians do. Ten songs spanning blues, ballads, and uptempo standards give you genuine variety within a single book.

What to expect

Swinging, sophisticated, and deeply rooted in the American songbook. These melodies feel familiar yet fresh, anchored by the warmth of a piano trio that plays with real swing feel and musical conversation.

Who it's for

Intermediate trumpet players ready to explore jazz idiomatically, whether in a studio setting or as part of a jazz ensemble curriculum. This book works equally well for self-directed learners and students in group lessons or jazz band classes.

How to get the most out of it

  • Listen to the recorded trio several times before playing along. Pay attention to how the piano comps and where the bass walks; this informs your phrasing choices.
  • Practice the melody without the CD first to lock in the written articulations and chord tones, then layer in the accompaniment gradually.
  • Sit with the slower ballads like My Funny Valentine and Someone to Watch Over Me long enough to develop vibrato control and breath placement between phrases.
  • Use the up-tempo standards (How High the Moon, I Get a Kick Out of You) to work on clarity and articulation when the trio is moving quickly behind you.

How to use it

Insert individual selections into jazz band repertoire, or use the complete set as a semester-long improvisation study where students master melody and learn to comp changes. Shorter ballads work well as recital openers or concert breaks between larger ensemble pieces.

Skills your students will build

  • Jazz articulation and phrasing (legato, swing eighth notes, syncopated rhythms)
  • Reading melody with chord symbols and lyrics
  • Listening to and locking with a rhythm section
  • Breath placement and vibrato control in ballad playing
  • Recognizing and executing jazz idioms (swing feel, syncopation, rests for musical space)

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