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Aura Lee: TTBB Choral Octavo

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Aura Lee: TTBB Choral Octavo

American Folk Song / arr. Keith Christopher

Item: 00-41612

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Description
Masterfully crafted with a traditional harmonization, this piece is an eloquent showcase for mixed or men's choirs. The addition of the SoundPax instrumentation (strings, flute, and percussion) will make the arrangement shimmer. A gorgeous treatment of an American classic.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Aura Lee: TTBB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081466927
SKU: 00-41612

More about this title

About the Arranger: Keith Christopher

Keith Christopher

Keith Christopher has built a prolific career spanning composition, arrangement, and songwriting across multiple genres and ensembles. Since 1992, he has received annual recognition from the American Society of Composers, Authors, and Publishers, and his achievements include a Gold Record Award for "A Merry Christmas with Brass" with The Dallas Brass and a Dove Award for the choral collection More Songs for Praise and Worship.

With hundreds of published works for choir, band, and orchestra in circulation worldwide, Christopher has also produced over a thousand recordings for music publishers and authored the children's book The First Christmas Night. He lives in the Nashville area with his wife, Tammy.

Why we love this

Christopher's harmonization honors the folk melody while giving TTBB voices a genuine showcase rather than relegating men's sections to unison passages. The optional SoundPax instrumentation (strings, flute, and percussion) transforms what could be a straightforward arrangement into something with real shimmer, making it equally compelling in a concert setting or festival competition without demanding a full orchestra.

What to expect

Warm and reflective, with the kind of gentle dignity that comes from treating a beloved melody with respect. The harmonies support rather than overshadow the tune, creating space for genuine lyricism while the optional instrumentation lifts the sound into something luminous.

Who it's for

Men's choirs and mixed ensembles seeking a distinguished American standard that feels fresh without straying far from its roots. Directors programming concert or festival appearances will find this particularly valuable because it sits in a sweet spot between familiar and carefully crafted.

How to get the most out of it

  • Balance the melody across your tenor and baritone sections from the start; the folk tune's familiarity can lead singers to oversing their parts rather than blending into the harmonic texture.
  • If using the recorded accompaniment, rehearse enough with it that your singers hear it as support rather than something to follow. The arrangement's elegance depends on confident, independent vocal lines.
  • Pay attention to vowel consistency in the harmony voices, especially where parallel motion occurs. Slight vowel shifts between similar pitch clusters will expose tuning issues.
  • The optional instrumentation works best when the strings and flute double vocal lines thoughtfully rather than adding unrelated countermelody. Discuss orchestration choices with your accompanist before performance.

How to use it

Pair this with other American folk arrangements or heritage repertoire to build a thematic set that showcases your choir's range. It also works beautifully as a closing or penultimate piece on a mixed program, giving audiences a moment to settle into something they recognize before you move elsewhere.

Skills your students will build

  • Blending harmony voices while maintaining independence from the melody
  • Reading TTBB voicing across multiple staves
  • Ensemble tuning in parallel harmonic motion
  • Connecting with text and emotional shape in secular choral literature

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