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Attila (complete): Serious Opera, Orchestra Accompaniment, Conductor Score & Parts

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Attila (complete) Cover Image

Attila (complete): Serious Opera, Orchestra Accompaniment, Conductor Score & Parts

By Giuseppe Verdi/ Italian libretto by Temistocle Solera and Francesco Maria Piave after Zacharias Werner's Attila, König der Hunnen (1809)

Item: 36-A547402

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Description
The 3-act opera ATTILA is among Giuseppe Verdi's (1813-1901) early works, having been written in 1846. The opera is based on the 1809 play Attila, König der Hunnen (Attila, King of the Huns), written by Zacharias Werner. Envisioning the use of large choral tableaux as he had done in both NABUCCO and I LOMBARDI, he enlisted the librettist Temistocle Solera for the project, but Solera abandoned the project after completing the acts one and two, forcing Verdi to return to his older colleague Francesco Maria Piave for the final act, resulting in a final rift between the two as Verdi's conceptions of the opera genre had moved beyond Piave's. While the original Romantic play and subject was considered very Teutonic for an Italian opera, Verdi envisioned a story rooted in Italian patriotism, and the audience heard that theme when it premiered on March 17, 1846, at the Teatro La Fenice in Venice. The story begins with Attila's victorious hordes destroying the 5th century city of Aquileia, but survivors of that city enact revenge on the Hun with the help of the Roman miliary before Attila can continue his march on Rome. While the work disappeared from the repertoire for some despite its initial popular reception, it has found more regular productions since the mid-20th century to the present. Instrumentation: 2(2nd dPicc).2+1(EH).2.2: 4.2.3.1: Timp.Perc(2-3): Hp: Str (4-4-3-3-3 in set): Banda (3 Tpt): Vocal Soli (6 roles, STTBBB): Mixed Chorus. Reprint edition.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 612735584320
SKU: 36-A547402
Instrumentation: 2(2nd dPicc).2+1(EH).2.2: 4.2.3.1: Timp.Perc(2-3): Hp: Str (4-4-3-3-3 in set): Banda (3 Tpt): Vocal Soli (6 roles, STTBBB): Mixed Chorus

More about this title

About the Composer: Giuseppe Verdi

Giuseppe Verdi (1813-1901) was an Italian composer whose operas defined the Romantic operatic tradition and shaped the sound of 19th-century music. His career spanned nearly six decades, during which he moved from youthful ambition through technical mastery to profound artistic vision, earning him recognition as one of history's greatest composers. Verdi's work was inseparable from Italian national identity; his operas became symbols of the Risorgimento, and audiences heard patriotic fervor woven into his libretti and orchestration long before Italian unification was complete.

Why we love this

Attila demands singers and orchestral musicians who can sustain dramatic intensity across a full evening while navigating Verdi's increasingly sophisticated orchestration and ensemble writing. The opera sits at a fascinating crossroads in Verdi's development, where grand choral tableaux and martial brass writing coexist with emerging lyrical complexity, giving conductors and singers room to grow into their roles without requiring the vocal heroics of his later masterpieces.

What to expect

The opera pulses with martial energy and historical spectacle, from the opening destruction of Aquileia to scenes of grand ceremonial pageantry that recall Verdi's earlier crowd scenes in Nabucco and I Lombardi. Beneath the external grandeur lies a musical journey marked by soaring soprano lines, rich choral textures, and an orchestra that swells from intimate drama to overwhelming force, all anchored by Verdi's gift for melody and his emerging mastery of dramatic timing.

Who it's for

This complete score and parts set serves opera companies, conservatory opera programs, and advanced music institutions prepared to mount a full production of an early Verdi masterwork. Conductors and singers must have solid experience with 19th-century operatic style and the vocal and instrumental demands of the Romantic era.

How to get the most out of it

  • Balance the banda (onstage trumpet ensemble) carefully during tableaux scenes; these instruments should cut through the orchestra without drowning the chorus or soloists who may be upstage.
  • Use rehearsal sectionals to build ensemble precision in the choral writing, which often carries harmonic complexity beneath its surface grandeur.
  • Shape the string section's articulation to match the rhythmic drive of the brass; Verdi's early style often relies on orchestral momentum to propel dramatic scenes forward.
  • Schedule adequate rehearsal time for the six solo roles to establish secure characterization, as vocal line and dramatic action are tightly integrated throughout the score.

How to use it

Attila works best as a centerpiece production for companies looking to expand beyond Verdi's most frequently performed works while remaining within the scope of his earlier, more accessible style. It pairs well within a season that explores the composer's development, offering audiences a bridge between his early nationalist works and the psychological complexity of his mature operas.

Skills your students will build

  • Managing vocal stamina across a three-act opera
  • Coordinating six distinct solo vocal roles within large ensemble contexts
  • Conducting mixed voices through rhythmically complex choral passages
  • Balancing onstage and pit instrumentalists (banda with orchestra)
  • Interpreting Romantic-era vocal line with period-appropriate phrasing and ornamentation
  • Reading and conducting full operatic score with multiple simultaneous dramatic actions

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